IMDb-BEWERTUNG
5,3/10
14.259
IHRE BEWERTUNG
Vier hinter den feindlichen Linien eingekesselte Soldaten müssen sich ihren Ängsten und Sehnsüchten stellen.Vier hinter den feindlichen Linien eingekesselte Soldaten müssen sich ihren Ängsten und Sehnsüchten stellen.Vier hinter den feindlichen Linien eingekesselte Soldaten müssen sich ihren Ängsten und Sehnsüchten stellen.
- Auszeichnungen
- 1 Nominierung insgesamt
Stephen Coit
- Fletcher
- (as Steve Coit)
- …
David Allen
- Narrator
- (Synchronisation)
Toba Kubrick
- Woman Fishing in the River
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesStanley Kubrick later denounced this film as amateurish, saying he considered it like a child's drawing on a fridge.
- PatzerThe lieutenant and Fletcher approach the house and are seen from behind standing on a well-tended lawn. The front shot shows them standing on uneven ground with tall straggly weeds.
- Zitate
Lieutenant Corby: Well, we have nothing to lose but our futures.
- Crazy CreditsPreserved by the Library of Congress - Packard Campus for Audio Visual Conservation
- Alternative VersionenBlu-ray Disc releases in America also include The Seafarers, a short film from Kubrick, as a bonus feature. The European Masters of Cinema release also includes two additional shorts, Day of the Fight and Flying Padre.
- VerbindungenEdited into Gli ultimi giorni dell'umanità (2022)
Ausgewählte Rezension
I'm seeing every Stanley Kubrick feature film in order, and began with his most disliked 'Fear and Desire'. I've heard some awful things about it, but considering the very limited resources to make it, a viewer can easily notice the unlimited potential of the man behind the camera. Fear and Desire has genius that can't be tapped with the restraints had.
It's a war film- with no names. Just soldiers behind enemy lines, wanting to get back and the problems they encounter. There's a certain Shakespearean quality about it- the characters give short monologues about their feelings and morals that aren't grounded in reality. There are some good lines, and some absolutely terrible ones, and some that seem too philosophical for their own good. These lines are delivered by actors pushing melodrama: Sidney goes nuts, but unreasonably. Then there's the technical faults: it's a mess, with some sloppy editing. Again though, there were budget constraints that any full-fledged director could work around.
Kubrick made a thinking film, but it has some poorly communicated ideas. Is this idea that war pushes men past their extremes? There isn't anything horrifying about what the men go through. It seems that while he could later create some of the best war films ever, they are very difficult to make as a first picture/ They just need more money to make. Seeing this reminds me of a much later debut, Reservoir Dogs. Both share similarities of a few characters in isolation, and auteurs behind the camera.
A strong aspect of Fear and Desire is its music, which helps some of the more tense scenes. The plot is good and doesn't linger- the film is around an hour long. It's not as bad as I heard, and lays the groundwork for later Kubrickisms: war and thematic material. Filled with potential. 6.5/10
It's a war film- with no names. Just soldiers behind enemy lines, wanting to get back and the problems they encounter. There's a certain Shakespearean quality about it- the characters give short monologues about their feelings and morals that aren't grounded in reality. There are some good lines, and some absolutely terrible ones, and some that seem too philosophical for their own good. These lines are delivered by actors pushing melodrama: Sidney goes nuts, but unreasonably. Then there's the technical faults: it's a mess, with some sloppy editing. Again though, there were budget constraints that any full-fledged director could work around.
Kubrick made a thinking film, but it has some poorly communicated ideas. Is this idea that war pushes men past their extremes? There isn't anything horrifying about what the men go through. It seems that while he could later create some of the best war films ever, they are very difficult to make as a first picture/ They just need more money to make. Seeing this reminds me of a much later debut, Reservoir Dogs. Both share similarities of a few characters in isolation, and auteurs behind the camera.
A strong aspect of Fear and Desire is its music, which helps some of the more tense scenes. The plot is good and doesn't linger- the film is around an hour long. It's not as bad as I heard, and lays the groundwork for later Kubrickisms: war and thematic material. Filled with potential. 6.5/10
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Details
Box Office
- Budget
- 33.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 953 $
- Laufzeit1 Stunde 2 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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