IMDb-BEWERTUNG
6,5/10
1334
IHRE BEWERTUNG
Nachdem ein Krimineller in das Haus eines Psychotherapeuten einbricht, entgeht er durch die Einwilligung in eine Resozialisierung einer Verhaftung, jedoch entwickelt die Frau des Therapeuten... Alles lesenNachdem ein Krimineller in das Haus eines Psychotherapeuten einbricht, entgeht er durch die Einwilligung in eine Resozialisierung einer Verhaftung, jedoch entwickelt die Frau des Therapeuten Gefühle für ihn.Nachdem ein Krimineller in das Haus eines Psychotherapeuten einbricht, entgeht er durch die Einwilligung in eine Resozialisierung einer Verhaftung, jedoch entwickelt die Frau des Therapeuten Gefühle für ihn.
- Auszeichnungen
- 1 Nominierung insgesamt
Jimmy Charters
- Jazz Club Patron
- (Nicht genannt)
Martin Lyder
- Jazz Club Patron
- (Nicht genannt)
John Lynn
- Jazz Club Patron
- (Nicht genannt)
Ross Parker
- Barman
- (Nicht genannt)
Jim Tyson
- Jazz Club Patron
- (Nicht genannt)
Harry Van Engel
- Spectator at crash
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen this movie first appeared, the direction was credited to Victor Hanbury, a real-life Producer, who only agreed to take the credit when the actual Director, the blacklisted Joseph Losey, insisted that this would be a great help to him, as he needed the work. Although several versions of this movie, including the DVD, still credit Hanbury, there are prints where Losey is credited under his own name. The first several times it was shown on British television, in the late 1960s and early 1970s, Losey had the credit.
- PatzerAngry that Frank has left her Glenda wearing a black dress runs from the house, jumps in her car and drives off. Spotting Frank (Dirk Bogarde) walking along the road she stops and picks him up but she's now wearing a coat.
- Zitate
Glenda Esmond: You're not going to give me notice, like a servant or a waitress!
- VerbindungenFeatured in Joseph Losey: The Man with Four Names (1998)
Ausgewählte Rezension
A more apt title would have been The Sleeping Tigress, for it's Alexis Smith's performance that holds this movie together and lends it erotic friction. Despite her old-money looks and regal carriage, Smith numbered among the many talents which Hollywood mis- and under- used. She claimed attention in two late-forties Bogart vehicles, Conflict (where she was good) and The Two Mrs. Carrolls (in which she was even better, and held her own against Barbara Stanwyck). But most of her movie career consisted of mediocre roles the ones the star actresses turned down or had to refuse owing to other commitments. (It wasn't until Stephen Sondheim's Follies on Broadway in the 70s that her own star shone).
In this film from Joseph Losey's English exile following the Hollywood witch hunt, she plays the bored wife of psychotherapist Alexander Knox (and with him pottering around the house, who wouldn't be bored?). Bleeding-heart Knox takes a troubled young man with a prison record (Dirk Bogarde) under his roof in hopes of performing a therapeutic Pygmalion job on him. At first Smith acts snooty, then grows intrigued, and finally throws herself at Bogarde with pent-up abandon.
Comes the crunch as Knox, in a three-minute Freudian breakthrough reminiscent of Lee J. Cobb's instant rehabilitation of William Holden in The Dark Past, turns the lying, thieving, abusive Bogarde into a contrite milquetoast. When Bogarde then bids her farewell, Smith careens into dementia every bit as swiftly as Bogarde was healed and feigns an assault in hopes that Knox will defend her `honor' with that gun every therapist keeps in his desk drawer....
It's a lame story that might have been more convincing in an American context; the London setting and British conventions (in particular Knox's) stifle it. Bogarde started out playing this sort of charming wrong'un but isn't especially memorable here (except for his towering pompadour that must have been borrowed from Mario Lanza). But Smith's feral feline makes The Sleeping Tiger worth the ticket price.
In this film from Joseph Losey's English exile following the Hollywood witch hunt, she plays the bored wife of psychotherapist Alexander Knox (and with him pottering around the house, who wouldn't be bored?). Bleeding-heart Knox takes a troubled young man with a prison record (Dirk Bogarde) under his roof in hopes of performing a therapeutic Pygmalion job on him. At first Smith acts snooty, then grows intrigued, and finally throws herself at Bogarde with pent-up abandon.
Comes the crunch as Knox, in a three-minute Freudian breakthrough reminiscent of Lee J. Cobb's instant rehabilitation of William Holden in The Dark Past, turns the lying, thieving, abusive Bogarde into a contrite milquetoast. When Bogarde then bids her farewell, Smith careens into dementia every bit as swiftly as Bogarde was healed and feigns an assault in hopes that Knox will defend her `honor' with that gun every therapist keeps in his desk drawer....
It's a lame story that might have been more convincing in an American context; the London setting and British conventions (in particular Knox's) stifle it. Bogarde started out playing this sort of charming wrong'un but isn't especially memorable here (except for his towering pompadour that must have been borrowed from Mario Lanza). But Smith's feral feline makes The Sleeping Tiger worth the ticket price.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Sleeping Tiger
- Drehorte
- William Mansell, 24 Connaught Street, London, England, Vereinigtes Königreich(Smash & Grab 27 minutes from start)
- Produktionsfirmen
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- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Der schlafende Tiger (1954) officially released in India in English?
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