IMDb-BEWERTUNG
7,1/10
4927
IHRE BEWERTUNG
Ein fiktionaler Bericht über die Karriere der Jazz-Sängerin Ruth Etting und ihre stürmische Ehe mit dem Gangster Marty Snyder, der sie zum Star machte.Ein fiktionaler Bericht über die Karriere der Jazz-Sängerin Ruth Etting und ihre stürmische Ehe mit dem Gangster Marty Snyder, der sie zum Star machte.Ein fiktionaler Bericht über die Karriere der Jazz-Sängerin Ruth Etting und ihre stürmische Ehe mit dem Gangster Marty Snyder, der sie zum Star machte.
- 1 Oscar gewonnen
- 4 Gewinne & 7 Nominierungen insgesamt
Dorothy Abbott
- Dancer
- (Nicht genannt)
John Alban
- Reporter
- (Nicht genannt)
Mal Alberts
- Reporter
- (Nicht genannt)
Herb Alpert
- Nightclub Horn Player
- (Nicht genannt)
Don Anderson
- Club Patron
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOf the 62 films he made, James Cagney wrote that he rated this among his top five.
- PatzerIn the "Shaking The Blues Away" number, Doris Day sings the lyric "Do as Voodoos do/ Listenin' to/ A voodoo melody." The lyric that Ruth Etting performed in the 1920s was "Do as the darkies do/ Listenin' to/ A preacher way down south." The other lyric is from the revised version performed by Ann Miller in Osterspaziergang (1948), in which the original was censored for obvious reasons.
- Zitate
Martin Snyder: [to Ruth Etting when she visits him in jail] Tell 'em you seen me in the pokey and I looked great! Tell 'em I like it! Makes me feel like a kid again!
- VerbindungenFeatured in 1955 Motion Picture Theatre Celebration (1955)
- SoundtracksI'm Sitting on Top of the World
(uncredited)
Music by Ray Henderson
Lyrics by Sam Lewis and Joe Young
Sung by Claude Stroud
Ausgewählte Rezension
"Love Me Or Leave Me" has been critically lauded and publicly supported. I can only concede it's a very fine music/drama/biopic.
What's so unique about this film is it's skillfully combining the "gangster" element with the "musical" genre. The bio-based storyline plays out like somewhat like a crime drama, while the musical portion rings forth with twelve complete full-bodied numbers.
The casting is truly inspired: what a coup getting Doris Day, at the peak of her physical, acting and vocal powers to be cast in a real-life role, while snaring the brilliant, often breathtaking James Cagney--forever at the peak of his powers--as the indestructible "Gimp."
Together they create fireworks, playing off one another's sweet 'n' sour characterizations with great relish. How amusing it is to see Cagney having fun with his deft limp-walk and grueling thug-character, complemented by Day's equally enjoyable, contrastingly lovable persona.
The songs are all very beautiful, and expertly rendered by Day in this, a wonderful tribute to her vocal talent and impressive musicianship.
The script is well-written to utilize the stars' individual gifts, and the widescreen production is a delight to watch. After all these years, "Love Me Or Leave Me" holds its own, thanks to the contributions of two now-legendary stars.
What's so unique about this film is it's skillfully combining the "gangster" element with the "musical" genre. The bio-based storyline plays out like somewhat like a crime drama, while the musical portion rings forth with twelve complete full-bodied numbers.
The casting is truly inspired: what a coup getting Doris Day, at the peak of her physical, acting and vocal powers to be cast in a real-life role, while snaring the brilliant, often breathtaking James Cagney--forever at the peak of his powers--as the indestructible "Gimp."
Together they create fireworks, playing off one another's sweet 'n' sour characterizations with great relish. How amusing it is to see Cagney having fun with his deft limp-walk and grueling thug-character, complemented by Day's equally enjoyable, contrastingly lovable persona.
The songs are all very beautiful, and expertly rendered by Day in this, a wonderful tribute to her vocal talent and impressive musicianship.
The script is well-written to utilize the stars' individual gifts, and the widescreen production is a delight to watch. After all these years, "Love Me Or Leave Me" holds its own, thanks to the contributions of two now-legendary stars.
Top-Auswahl
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Details
Box Office
- Budget
- 2.760.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 193 $
- Laufzeit2 Stunden 2 Minuten
- Seitenverhältnis
- 2.55 : 1
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Oberste Lücke
By what name was Nachtclub-Affären (1955) officially released in India in English?
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