Der Henker saß am Tisch

After seeing this movie, you may not look at a telephone repairman the same way again. Actually the result seems closer to the Cagney films of the thirties than to the noirs of the forties. For phone lineman Eddie O'Brien, it's a success story, as opportunity, know-how, and drive propel him to the top of the bookie racket. Fortunately the always energetic O'Brien makes the transition from working stiff to bookie king-pin both dynamic and believable. Then too, we meet some interesting people along the way, including smoothie Otto Kruger doing his best imitation of a smiling cobra, even as young marrieds Joanne Dru and Don Porter practice their 1950's version of open marriage. And in a usual thankless part, moon-faced Barry Kelley who bull-dozes everyone within reach through eyes so pinched, they're barely more than razor slits. Still, it's unheralded bit actors like him that really make movies like this work.

Director Joe Newman keeps things moving nicely, even the colorless scenes featuring the forces of law and order don't bog down the pacing. There're also some good location shots in and around LA, with an exhausting climax up and down the the stairwells of Boulder Dam as the giant turbines hum in the background. (I wonder how they get ordinary people who probably just happened to be at the dam that day, to be so natural with a movie camera and crew staring them in the face. Somehow they do.) My favorite part is setting up the "past-posting" scheme, showing how every technical innovation presents a criminal mastermind with a twisted opportunity. All in all, 7-11 may not be a jack-pot dice roll, but it is a decent thriller, entertaining if not exactly memorable.