IMDb-BEWERTUNG
6,1/10
717
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA New Orleans entertainer falls for a pirate who has another identity.A New Orleans entertainer falls for a pirate who has another identity.A New Orleans entertainer falls for a pirate who has another identity.
Douglass Dumbrille
- Capt. Martos
- (as Douglas Dumbrille)
Ernest Anderson
- Mme. Brizar's Footman
- (Nicht genannt)
Arthur Berkeley
- Barfly
- (Nicht genannt)
Edward Biby
- Party Guest
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesEva Perón's favorite Yvonne De Carlo movie. When she visited Argentina shortly after the film's release, De Carlo publicly stated that she wanted to meet the Argentine First Lady. A few minutes before De Carlo's plane was about to leave, Mrs. Perón phoned her and said she was a big fan of her movies, especially this one. She also told her that she was thinking about making a movie of her life and thought De Carlo "would be perfect" in her role. The First Lady also gifted De Carlo an autographed copy of her autobiography.
- Zitate
Frederic Baptiste: All is fair in love and war, and it appears that I have lost in both.
- VerbindungenFeatured in Double Crossbones (1951)
Ausgewählte Rezension
When this swashbuckling DVD set was announced, I was rather annoyed about the inclusion of three obscure efforts with the popular and vintage AGAINST ALL FLAGS (1952) starring Errol Flynn; well, having watched all three now, this proved to be perhaps the most resistible of them. For the record, my copy jumps from the Universal logo (preceding all their DVD releases) to the beginning of the film omitting the credits entirely, then it pixellated terribly around the 64-minute mark, so that I had to skip to the next chapter (thus missing a couple of minutes) in order to keep watching the thing through to its conclusion!
The plot has a New Orleans setting with a pirate named Baptiste (Philip Friend, an unknown actor to me but an okay lead under the circumstances) who hides under the guise of an aristocrat in order to keep up the fight with chief villain Robert Douglas (aided in his nefarious deeds by two other notable character actors Norman Lloyd and Henry Daniell). Guttersnipe Yvonne de Carlo I recall watching her other swashbuckler with director de Cordova, THE DESERT HAWK (1950), as a child and upper-class Andrea King vie for the dashing Friend's attentions (at one point, the two let their hair down and engage in a catfight over him during a ball!), while Jay C. Flippen appears as the hero's right-hand man. Incidentally, having seen this immediately after DOUBLE CROSSBONES (1951), it was amusing to realize that some of the sea-battle footage from BUCCANEER'S GIRL was replicated wholesale into the Donald O'Connor vehicle!
The film itself would be tolerable enough if it weren't for two huge flaws: for one thing, the action-less climax has to be the lamest ever devised for this type of fare; much more queasy, unfortunately, are de Carlo's trio of songs (under the tutelage of typically eccentric Elsa Lanchester) with the last of them occurring just minutes before the end titles! and for which the creator of the embarrassingly corny choreography ought to have been made to walk the plank himself.
The plot has a New Orleans setting with a pirate named Baptiste (Philip Friend, an unknown actor to me but an okay lead under the circumstances) who hides under the guise of an aristocrat in order to keep up the fight with chief villain Robert Douglas (aided in his nefarious deeds by two other notable character actors Norman Lloyd and Henry Daniell). Guttersnipe Yvonne de Carlo I recall watching her other swashbuckler with director de Cordova, THE DESERT HAWK (1950), as a child and upper-class Andrea King vie for the dashing Friend's attentions (at one point, the two let their hair down and engage in a catfight over him during a ball!), while Jay C. Flippen appears as the hero's right-hand man. Incidentally, having seen this immediately after DOUBLE CROSSBONES (1951), it was amusing to realize that some of the sea-battle footage from BUCCANEER'S GIRL was replicated wholesale into the Donald O'Connor vehicle!
The film itself would be tolerable enough if it weren't for two huge flaws: for one thing, the action-less climax has to be the lamest ever devised for this type of fare; much more queasy, unfortunately, are de Carlo's trio of songs (under the tutelage of typically eccentric Elsa Lanchester) with the last of them occurring just minutes before the end titles! and for which the creator of the embarrassingly corny choreography ought to have been made to walk the plank himself.
- Bunuel1976
- 6. Dez. 2008
- Permalink
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- Buccaneer's Girl
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- Laufzeit1 Stunde 17 Minuten
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By what name was Die Piratenbraut (1950) officially released in India in English?
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