IMDb-BEWERTUNG
6,9/10
4432
IHRE BEWERTUNG
Die gefährlich obsessive Beziehung zwischen einem psychisch manipulativen Bruder und seiner Schwester, die sich isolieren und andere in ihre Psychospielchen einbeziehen.Die gefährlich obsessive Beziehung zwischen einem psychisch manipulativen Bruder und seiner Schwester, die sich isolieren und andere in ihre Psychospielchen einbeziehen.Die gefährlich obsessive Beziehung zwischen einem psychisch manipulativen Bruder und seiner Schwester, die sich isolieren und andere in ihre Psychospielchen einbeziehen.
- Nominiert für 1 BAFTA Award
- 2 Nominierungen insgesamt
Karin Lannby
- The Mother
- (as Maria Cyliakus)
Jean Cocteau
- Narrator
- (Synchronisation)
Annabel Buffet
- Le mannequin
- (Nicht genannt)
Pierre Bénichou
- Young schoolboy (Extra)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJean Cocteau was allowed a day of shooting, when Jean-Pierre Melville wasn't feeling up to the mark. Cocteau was to follow Melville's instructions exactly or do nothing at all. Eight shots in all, which were supposed to be of a summer's day but were done in midwinter in the rain.
- PatzerThe amount of blood on Paul's face changes between when he is in the shop and when he is in the taxi.
- Alternative VersionenThe song that Michael sings while sitting at the piano was deleted for the original American release.
- VerbindungenEdited into Geschichte(n) des Kinos: Une vague nouvelle (1999)
- SoundtracksConcerto in A minor for 2 violins and string orchestra (Opus 3, No. 8; RV 522)
Written by Antonio Vivaldi
Ausgewählte Rezension
"LES PARENTS TERRIBLES" directed by Cocteau himself : an over possessive mother and her selfish husband destroy their son's life.
"LES ENFANTS TERRIBLES" directed by Jean -Pierre Melville: a sister and a brother tear each other in pieces .The sister is Nicole Stephane whose performance is quite impressive ,and she rises to the occasion when it comes to portray such a terrifying character (Cocteau lines are mysterious and threatening,"she didn't marry him for love , neither she did for his money but she did it for his death")When we make acquaintance with them,they live under a "carapace" and their mother -soon to die- is no more alive than Mrs Bates in "psycho" .Around them,a young man and a young girl who will be no more than puppets in their hands (mainly Elisabeth's (Stephane))Halfway between cinema and theater -but as when Cocteau himself directed- we never feel we are watching a filmed stage production.The dialogue is weird,now childlike ,now intriguing,often bewildering ,always brilliant with terrific lines like the one I quote above.The voice over ,which is often superfluous in other works -is here thoroughly relevant -and besides it's Cocteau's voice!-
Children who refuse to grow up?A fraid of the world outside?Youngsters fascinated by death? Incestuous relationship?
Strange how ,with the staggering exception of "la belle et la bête " ,Cocteau's movies display a gloomy cold atmosphere and a doomed fate :his "l'aigle à deux têtes" and "les parents terribles" as well as Delannoy's "l'éternel retour" and "la princesse de CLèves" or Pierre Billon's "Ruy Blas".
As for Melville,I always preferred his non-gangsters movies (this one,"le silence de la mer" "Léon Morin prêtre" ,"l'armée des ombres" ) to his thrillers (the likes of "le samouraï " or "le cercle rouge" ) which are no more than rehash of American film noirs with absurd metaphysical pretensions at that.
"LES ENFANTS TERRIBLES" directed by Jean -Pierre Melville: a sister and a brother tear each other in pieces .The sister is Nicole Stephane whose performance is quite impressive ,and she rises to the occasion when it comes to portray such a terrifying character (Cocteau lines are mysterious and threatening,"she didn't marry him for love , neither she did for his money but she did it for his death")When we make acquaintance with them,they live under a "carapace" and their mother -soon to die- is no more alive than Mrs Bates in "psycho" .Around them,a young man and a young girl who will be no more than puppets in their hands (mainly Elisabeth's (Stephane))Halfway between cinema and theater -but as when Cocteau himself directed- we never feel we are watching a filmed stage production.The dialogue is weird,now childlike ,now intriguing,often bewildering ,always brilliant with terrific lines like the one I quote above.The voice over ,which is often superfluous in other works -is here thoroughly relevant -and besides it's Cocteau's voice!-
Children who refuse to grow up?A fraid of the world outside?Youngsters fascinated by death? Incestuous relationship?
Strange how ,with the staggering exception of "la belle et la bête " ,Cocteau's movies display a gloomy cold atmosphere and a doomed fate :his "l'aigle à deux têtes" and "les parents terribles" as well as Delannoy's "l'éternel retour" and "la princesse de CLèves" or Pierre Billon's "Ruy Blas".
As for Melville,I always preferred his non-gangsters movies (this one,"le silence de la mer" "Léon Morin prêtre" ,"l'armée des ombres" ) to his thrillers (the likes of "le samouraï " or "le cercle rouge" ) which are no more than rehash of American film noirs with absurd metaphysical pretensions at that.
- dbdumonteil
- 19. Okt. 2003
- Permalink
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- The Terrible Children
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By what name was Die schrecklichen Kinder (1950) officially released in Canada in English?
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