Während des Zweiten Weltkriegs erbt das zweite Kommando eines U-Bootes das Problem der Torpedos, die nicht explodieren. Wenn er an Land ist, ist er begierig darauf, seine Ex-Frau zurückzugew... Alles lesenWährend des Zweiten Weltkriegs erbt das zweite Kommando eines U-Bootes das Problem der Torpedos, die nicht explodieren. Wenn er an Land ist, ist er begierig darauf, seine Ex-Frau zurückzugewinnen.Während des Zweiten Weltkriegs erbt das zweite Kommando eines U-Bootes das Problem der Torpedos, die nicht explodieren. Wenn er an Land ist, ist er begierig darauf, seine Ex-Frau zurückzugewinnen.
- The Talker
- (as Bill Campbell)
- Fighter Pilot
- (Nicht genannt)
- Torpedo Officer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe movie was filmed on a low budget. As a result most of the shots of the submarines, ships and the scenes were either taken from other films or stock footage from World War II.
- PatzerMary Stuart was allowed into the ComSubPac plotting room. It is next to impossible to believe that a highly secret room like that (with location and position of the entire Pacific Fleet) would be accessible to common US Navy Personnel like nurses.
- Zitate
Ens. Caldwell: [after the Chief and Junior are killed] I couldn't help it about the Chief.
Duke E. Gifford: Remembering how he took care of you?
Ens. Caldwell: Yes sir.
Duke E. Gifford: Well, before he took care of you, he took care of Larry, before Larry, he took care of me and before me he took care of Pop. Chiefs have been taking care of this man's Navy for a long time, Mister Caldwell. Don't worry about him, there's a lot of good sailors back there for him to take care of.
- Crazy CreditsIn keeping with the submarine theme of the film: at the very start, we see a submarine periscope break the surface of the sea, then we see an officer looking into the view-port of the periscope, then we see the opening credits appear, as if being viewed through a periscope.
- Alternative VersionenRepublic Pictures released a colorized version on video.
- VerbindungenFeatures Bestimmung Tokio (1943)
- SoundtracksWe Watch the Skyways
(uncredited)
Music by Max Steiner
Played during the opening credits and often throughout the picture
This one includes all the cliches - the tragedy of lives lost for a just cause (in this case, the war in the Pacific), the heroism of the men who gave up their lives for that cause (here it's a submarine crew based out of "Pearl"), and the women forced to wait patiently while the men they loved went into harm's way.
Although a lot of this seems outdated and stereotyped some 50 years later, the movies that were made during and immediately following WWII nevertheless reflect the ideals and values that drove an entire nation (and generation) to act and feel as it did. My own father, who was a Navy man during the war, was a big fan of John Wayne. I have to believe that Wayne personified some of the very same values my father had come to embrace as a youth and during his time in the military. For me, this adds some validity and perspective.
I know this is not considered to be Wayne's best war film (and admit to not being an enthusiastic student of the genre), but I'm confident that it's a good example of why these films were (and remain) so popular.
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Details
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1