IMDb-BEWERTUNG
7,3/10
6271
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn American scholar in Greece sets about improving the prostitute with whom he is infatuated.An American scholar in Greece sets about improving the prostitute with whom he is infatuated.An American scholar in Greece sets about improving the prostitute with whom he is infatuated.
- 1 Oscar gewonnen
- 3 Gewinne & 8 Nominierungen insgesamt
Giorgos Foundas
- Tonio
- (as Georges Foundas)
Dimitris Papamichael
- British Seaman
- (as Dimitri Papamichael)
Thanasis Vengos
- Thanasis
- (as Thanassis Veggos)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFeatures first song ("Never On Sunday") from a foreign-made movie to win an Oscar.
- PatzerAt their first meeting, when Ilya looks at Homer through the viewfinder of his camera, he is looking straight-on at the camera. But when she looks up from the camera, Homer is sitting slightly to her left and has to turn to his right -- and thus is not looking straight-on -- when he speaks to her.
- VerbindungenFeatured in Toute la chanson: Folge vom 30. Mai 1960 (1960)
Ausgewählte Rezension
SYNOPSIS: A well educated American tourists attempts to 'enlighten' a Greek prostitute in a small seaside village.
CONCEPT IN RELATION TO THE VIEWER Newer is not always better, and sometimes over analyzing a problem can only make it worse. Leave well enough alone. It is more important to be happy than to understand everything.
PROS AND CONS Every recent prostitute film from 'Irma la Duce' to 'Pretty Woman' owes a lot to this work. It was one of the first films that shed light on the idea that prostitution was a respectable and acceptable way to make a living.
If nothing else this film is a homage by Jules Dassin to his wife, Melina Mercouri. She is the focus of the film and she captivates any scene she is in with her zest for life and smoldering sexuality. The other thing you tend to fall in love with is the romantic ideal of living in Greece in 1960. It appears care free, relaxed and almost infectious with its love of the simple life.
The plot of the film is not overly complex and deals with an outsider, Homer (Dassin) arriving in town to study Greek culture. He is almost immediately captivated by Ilya (Mercouri) as one of the local prostitutes that 'freelances' and does not work for the town pimp. She negotiates a price with whomever she chooses, and sleeps with all the towns vendors in exchange for her daily goods (food, wine, drinks, etc), but she never 'works' on Sunday. Hence the title to the film.
Homer is smitten by Ilya and decides that he must 'save' her from what he perceives as a wretched life that is going no where and decides to educate her so that she can see the error of her ways. In the end, this does nothing but frustrate everyone in town. The education of Ilya does have a silver lining, which if anything, leaves the town more corrupted than when Homer found it.
The underlying theme of the film is that one should strive to be happy in what you do and more importantly, who you know. There is an interconnection between people in a small town, and disrupting those connections may lift some people up, but is not good for the whole of society. Regardless of his meddling, the towns people never turn on Homer, or blame him for anything. At their core, they know that life is to be enjoyed and blaming people for your troubles is just not part of the mix.
CONCEPT IN RELATION TO THE VIEWER Newer is not always better, and sometimes over analyzing a problem can only make it worse. Leave well enough alone. It is more important to be happy than to understand everything.
PROS AND CONS Every recent prostitute film from 'Irma la Duce' to 'Pretty Woman' owes a lot to this work. It was one of the first films that shed light on the idea that prostitution was a respectable and acceptable way to make a living.
If nothing else this film is a homage by Jules Dassin to his wife, Melina Mercouri. She is the focus of the film and she captivates any scene she is in with her zest for life and smoldering sexuality. The other thing you tend to fall in love with is the romantic ideal of living in Greece in 1960. It appears care free, relaxed and almost infectious with its love of the simple life.
The plot of the film is not overly complex and deals with an outsider, Homer (Dassin) arriving in town to study Greek culture. He is almost immediately captivated by Ilya (Mercouri) as one of the local prostitutes that 'freelances' and does not work for the town pimp. She negotiates a price with whomever she chooses, and sleeps with all the towns vendors in exchange for her daily goods (food, wine, drinks, etc), but she never 'works' on Sunday. Hence the title to the film.
Homer is smitten by Ilya and decides that he must 'save' her from what he perceives as a wretched life that is going no where and decides to educate her so that she can see the error of her ways. In the end, this does nothing but frustrate everyone in town. The education of Ilya does have a silver lining, which if anything, leaves the town more corrupted than when Homer found it.
The underlying theme of the film is that one should strive to be happy in what you do and more importantly, who you know. There is an interconnection between people in a small town, and disrupting those connections may lift some people up, but is not good for the whole of society. Regardless of his meddling, the towns people never turn on Homer, or blame him for anything. At their core, they know that life is to be enjoyed and blaming people for your troubles is just not part of the mix.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Never on Sunday
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 151.000 $ (geschätzt)
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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