IMDb-BEWERTUNG
6,7/10
4063
IHRE BEWERTUNG
Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.
- Für 1 Oscar nominiert
- 2 Nominierungen insgesamt
Guy Pedersen
- Bass Player
- (as Guy Pederson)
Emilien Antille
- Alto Sax Player with Armstrong at Club 33
- (Nicht genannt)
Roger Blin
- Guitarist Fausto the Moor
- (Nicht genannt)
Charles Bouillaud
- Luggage Carrier in Train
- (Nicht genannt)
Michel Dacquin
- Guest at Devigne's Party
- (Nicht genannt)
Hélène Dieudonné
- The Pusher
- (Nicht genannt)
Michel Garland
- Club 33 Customer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesPaul Newman was coached in playing the trombone by Billy Byers, while the playing for Newman on the soundtrack was done by Murray McEachern. Sidney Poitier's tenor sax playing was done by Paul Gonsalves. The soundtrack was recorded May 1-3, 1961 at Reeves Sound Studios in New York City.
- PatzerSome may believe that the mouthpiece ligature on the tenor saxophone that Eddie Cook (Sidney Poitier) plays is upside down. However, in the first scene when the band is playing, it can be seen that the thumbscrew that adjusts the ligature is on the bottom, where it normally would be. It is, therefore, not upside down.
- Crazy Credits"Introducing" Serge Reggiani, who by 1961 had been in French films for 20 years and a star at least throughout the 1950s.
- VerbindungenFeatured in A Century of Black Cinema (2003)
- SoundtracksTake The 'A' Train
(uncredited)
Music by Billy Strayhorn
Recorded at Reeves Sound Studios, New York on May 2 & 3, 1961.
Label - United Artists
Ausgewählte Rezension
PARIS BLUES won't change your life unless you were one of those people (and I count myself one of them) that has been teetering on the verge of Euro-philia and this is the final straw to make you sell off all that crap you've acumulated over the years and live like a peddler just to be in Paris. Even if you are not, this movie could make you think twice. The core of the film is basically by-rote romances that, in themselves, would be non-descipt except for the fact that nothing Paul Newman touches can be bland. It is the elements surrounding these two romances that makes the film worth watching. Generally, to be a watchable film, the sum of the parts have to add up to more than the whole. Here, the film is simply the sum of it's parts...and those parts are wonderful. If I was to tell somebody there was a film out there where Paul Newman romances Joanne Woodward in a fifties jazz club in Paris alongside Sidney Pointier while they compete with Louis Armstrong most would go "What?Where? What movie?" which was exactly my reaction. Paris, Jazz, coffee...Newman. It's a confection with absolutely no nutritional value and yet you feel so much better having tried it.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.000 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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