IMDb-BEWERTUNG
6,7/10
4077
IHRE BEWERTUNG
Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.Während der 1960er-Jahre verlieben sich zwei amerikanische Jazzmusiker, die in Paris leben, in zwei amerikanische Touristinnen.
- Für 1 Oscar nominiert
- 2 Nominierungen insgesamt
Guy Pedersen
- Bass Player
- (as Guy Pederson)
Emilien Antille
- Alto Sax Player with Armstrong at Club 33
- (Nicht genannt)
Roger Blin
- Guitarist Fausto the Moor
- (Nicht genannt)
Charles Bouillaud
- Luggage Carrier in Train
- (Nicht genannt)
Michel Dacquin
- Guest at Devigne's Party
- (Nicht genannt)
Hélène Dieudonné
- The Pusher
- (Nicht genannt)
Michel Garland
- Club 33 Customer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesPaul Newman was coached in playing the trombone by Billy Byers, while the playing for Newman on the soundtrack was done by Murray McEachern. Sidney Poitier's tenor sax playing was done by Paul Gonsalves. The soundtrack was recorded May 1-3, 1961 at Reeves Sound Studios in New York City.
- PatzerSome may believe that the mouthpiece ligature on the tenor saxophone that Eddie Cook (Sidney Poitier) plays is upside down. However, in the first scene when the band is playing, it can be seen that the thumbscrew that adjusts the ligature is on the bottom, where it normally would be. It is, therefore, not upside down.
- Crazy Credits"Introducing" Serge Reggiani, who by 1961 had been in French films for 20 years and a star at least throughout the 1950s.
- VerbindungenFeatured in A Century of Black Cinema (2003)
- SoundtracksTake The 'A' Train
(uncredited)
Music by Billy Strayhorn
Recorded at Reeves Sound Studios, New York on May 2 & 3, 1961.
Label - United Artists
Ausgewählte Rezension
I read all the other comments regarding this movie, and especially the commentator from Toronto, who stated that the trite clichés of American movies abound in this one; then Green Card and French Kiss were mentioned (Yes, those films WERE awful); The music is excellent; Duke Ellington's music is the backdrop; and Louis Armstrong appears in the film. Sidney Poitier is always right on the mark, sensitive and real; a superb actor. Joanne Woodward and Paul Newman play the ill-fated couple; and do quite well, as has already been mentioned in several reviews. While the story itself is not original, the cinematography is; you will see the street markets; walking along the Seine, Montmartre, Notre Dame, etc. (Compare this to the last big Hollywood film "Moulin Rouge", and I would prefer this film any day!).
This film is to be appreciated for the era it depicts; I have traveled to Europe, and always find that each person's impression is different; Americans who have never traveled unfortunately perpetuate the stereotype; That is sheer ignorance, however. I sincerely hope that all Europeans do not see Americans as portrayed by Meg Ryan, an imbecilic blonde American; or for example, "Le Divorce", with Kate Hudson and Naomi Watts; Please note that Hollywood does NOT represent educated Americans. This is in itself sad, because in the 1960's, when my mother traveled to Europe, I think the world was more friendly; now when even the U.S. is divided into "red" and "blue" states; we are consigned to trash films like "Le Divorce", which Hollywood makes for the lowest common denominator, instead of smaller "art" films which are a pleasant experience.
It is a shame that Hollywood portrays Americans as uncultured imbeciles; this is all about the bottom line (profits). I can honestly say that a real person has not been portrayed by American film blockbusters since the 1970's.
See this film for yourself. It is definitely worth it.
This film is to be appreciated for the era it depicts; I have traveled to Europe, and always find that each person's impression is different; Americans who have never traveled unfortunately perpetuate the stereotype; That is sheer ignorance, however. I sincerely hope that all Europeans do not see Americans as portrayed by Meg Ryan, an imbecilic blonde American; or for example, "Le Divorce", with Kate Hudson and Naomi Watts; Please note that Hollywood does NOT represent educated Americans. This is in itself sad, because in the 1960's, when my mother traveled to Europe, I think the world was more friendly; now when even the U.S. is divided into "red" and "blue" states; we are consigned to trash films like "Le Divorce", which Hollywood makes for the lowest common denominator, instead of smaller "art" films which are a pleasant experience.
It is a shame that Hollywood portrays Americans as uncultured imbeciles; this is all about the bottom line (profits). I can honestly say that a real person has not been portrayed by American film blockbusters since the 1970's.
See this film for yourself. It is definitely worth it.
- MarieGabrielle
- 4. Dez. 2005
- Permalink
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.000 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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