IMDb-BEWERTUNG
7,4/10
15.069
IHRE BEWERTUNG
Visionen, Erinnerungen und Mystik helfen einer Frau in den 40ern, die Stärke zu finden, ihren betrügerischen Ehemann zu verlassen.Visionen, Erinnerungen und Mystik helfen einer Frau in den 40ern, die Stärke zu finden, ihren betrügerischen Ehemann zu verlassen.Visionen, Erinnerungen und Mystik helfen einer Frau in den 40ern, die Stärke zu finden, ihren betrügerischen Ehemann zu verlassen.
- Für 2 Oscars nominiert
- 12 Gewinne & 5 Nominierungen insgesamt
José Luis de Vilallonga
- Giorgio's friend
- (as José De Villalonga)
Friedrich von Ledebur
- Headmaster
- (as Fredrich Ledebur)
Milena Vukotic
- Elisabetta, the maid
- (as Milena Vucotic)
- …
George Ardisson
- Dolores' model
- (as Giorgio Ardisson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Federico Fellini claimed he took LSD in preparation for making this film.
- Zitate
Giulietta Boldrini: I don't care about the clemency you offer me but the salvation of my soul.
Ausgewählte Rezension
This is quite possibly the Felliniest of all the Fellini films.
This is a good thing to a point, but I gotta be honest - it really started to wear me out eventually.
The plot here revolves around a middle-aged couple who don't have the best relationship - the husband consistently cheats and lies, and the wife feels intimidated and stuck in the marriage. She has something of a spiritual awakening, however, thanks to mysticism or something (I don't know what to call it - but I kind of hate that stuff and find it hard to buy into, even in a fictional movie), and the film follows her as she works up the courage to leave her husband. It plays out over nearly 2.5 hours. A good deal of it is spent on Fellini doing crazy stuff with sets, costumes, and camera angles in a way that feels distinctly Fellini, and many of these sequences are (I think intentionally) disorientating and sometimes unsettling.
It's all stuff I can kind of appreciate, and I think there's some interesting stuff going on thematically, seeing as Fellini cast his real-life wife in the lead role in a movie about a very bad marriage. If you're in the mood for something like this, it's probably easier to enjoy, rather than just distantly appreciate. But I was only up for like, 90-100 minutes of this; I wasn't really on board by the end. It was just a bit much, and not in a good way, like how La Dolce Vita feels like too much (there, the too-muchness feels purposeful).
This is a good thing to a point, but I gotta be honest - it really started to wear me out eventually.
The plot here revolves around a middle-aged couple who don't have the best relationship - the husband consistently cheats and lies, and the wife feels intimidated and stuck in the marriage. She has something of a spiritual awakening, however, thanks to mysticism or something (I don't know what to call it - but I kind of hate that stuff and find it hard to buy into, even in a fictional movie), and the film follows her as she works up the courage to leave her husband. It plays out over nearly 2.5 hours. A good deal of it is spent on Fellini doing crazy stuff with sets, costumes, and camera angles in a way that feels distinctly Fellini, and many of these sequences are (I think intentionally) disorientating and sometimes unsettling.
It's all stuff I can kind of appreciate, and I think there's some interesting stuff going on thematically, seeing as Fellini cast his real-life wife in the lead role in a movie about a very bad marriage. If you're in the mood for something like this, it's probably easier to enjoy, rather than just distantly appreciate. But I was only up for like, 90-100 minutes of this; I wasn't really on board by the end. It was just a bit much, and not in a good way, like how La Dolce Vita feels like too much (there, the too-muchness feels purposeful).
- Jeremy_Urquhart
- 19. Mai 2023
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Juliet of the Spirits
- Drehorte
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Box Office
- Weltweiter Bruttoertrag
- 8.734 $
- Laufzeit2 Stunden 17 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Julia und die Geister (1965) officially released in India in English?
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