IMDb-BEWERTUNG
6,2/10
3580
IHRE BEWERTUNG
Die Teenager Libby und Kit verbringen einen Abend damit, wahllos Streiche zu spielen, die zu mörderischen Konsequenzen führen.Die Teenager Libby und Kit verbringen einen Abend damit, wahllos Streiche zu spielen, die zu mörderischen Konsequenzen führen.Die Teenager Libby und Kit verbringen einen Abend damit, wahllos Streiche zu spielen, die zu mörderischen Konsequenzen führen.
Sara Lane
- Kit Austin
- (as Sarah Lane)
Sara Anderson
- Jill Adams
- (Nicht genannt)
Russ Bender
- Police Sgt. Harris
- (Nicht genannt)
Dee Carroll
- Telephone Operator
- (Nicht genannt)
John Crowther
- Tommy Kane
- (Nicht genannt)
Douglas Evans
- Tom Ward
- (Nicht genannt)
Janet Hamill
- Linda Carson
- (Nicht genannt)
Tom Hatten
- Gerald Nyes
- (Nicht genannt)
Glen Vernon
- John Adams
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJoan Crawford was approached for this film one month after she left Wiegenlied für eine Leiche (1964) due to an "ailment" that prevented her from working (which is believed to have actually been sick of working with her arch enemy Bette Davis). Therefore, William Castle requested that Crawford's doctors sign a statement attesting that she was completely well before giving her the role.
- PatzerDuring the struggle in the shower with Marek and his wife, her hair goes back and forth from wet, dry, then back to wet again.
- Zitate
[repeated line]
Libby Mannering, Kit Austin: I saw what you did, and I know who you are.
- Crazy CreditsClosing credit (over picture of phone lines): "The End of the Line."
- VerbindungenFeatured in Coming Soon (1982)
Ausgewählte Rezension
Yes, good old William Castle is on the loose again, with a low budget and a creepy plot...and Joan Crawford, whose salary probably used up most of Castle's available cash.
You know you're in trouble from the first few scenes, with corny eyeball-shaped framing devices, then the intrusion of Van Alexander's completely out-of-place bouncy score, with its recurring principal theme of "Ninny nanny noo-noo." (Most of his credits are for 60s sitcoms, and it shows.) Then we're treated to exteriors of the Mannering house which are nothing more than Thomas Kincade- style paintings. (Virtually the whole film was shot on a sound stage, except for some rear projections.)
The plot itself is clichéd, but decently "executed." The casting is a problem, with Joan Crawford at age 60 trying to be the hypotenuse in a love triangle between 50-year-old John Ireland and some young bimbo (or we should say, ex-bimbo). Not much choice there. The two teenage girls are straight out of 60s sitcom land, and the younger sister joins the ranks of "most annoying child actors." There are some tense moments, including a ripoff of the shower scene from "Psycho" (except with a naked man instead of Janet Leigh).
And since we're already knee-deep in 60s sitcoms with the trite score and giggly teenaged actors, we're given an ending that would have been right in place on Dobie Gillis or the Patty Duke Show. Except with a dead body.
You know you're in trouble from the first few scenes, with corny eyeball-shaped framing devices, then the intrusion of Van Alexander's completely out-of-place bouncy score, with its recurring principal theme of "Ninny nanny noo-noo." (Most of his credits are for 60s sitcoms, and it shows.) Then we're treated to exteriors of the Mannering house which are nothing more than Thomas Kincade- style paintings. (Virtually the whole film was shot on a sound stage, except for some rear projections.)
The plot itself is clichéd, but decently "executed." The casting is a problem, with Joan Crawford at age 60 trying to be the hypotenuse in a love triangle between 50-year-old John Ireland and some young bimbo (or we should say, ex-bimbo). Not much choice there. The two teenage girls are straight out of 60s sitcom land, and the younger sister joins the ranks of "most annoying child actors." There are some tense moments, including a ripoff of the shower scene from "Psycho" (except with a naked man instead of Janet Leigh).
And since we're already knee-deep in 60s sitcoms with the trite score and giggly teenaged actors, we're given an ending that would have been right in place on Dobie Gillis or the Patty Duke Show. Except with a dead body.
- LCShackley
- 6. Sept. 2009
- Permalink
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By what name was Es geschah um 8 Uhr 30 (1965) officially released in India in English?
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