Füge eine Handlung in deiner Sprache hinzuElizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.Elizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.Elizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.
Christopher Cooke
- Minor Role
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOne of the last CinemaScope movies released in the wider aspect ratio of 2.55:1. Beginning later that year, the aspect ratio of CinemaScope movies was changed to 2.35:1, because of the optional mono soundtrack now printed on the film, in addition to the four stereo ones. This mono soundtrack was added to most movies recorded in stereo because not all theaters were willing to convert their sound systems.
- PatzerThe London pillar boxes weren't painted red (as seen) until 1874; before that, they were green.
- VerbindungenReferenced in Wogan: Folge #10.35 (1990)
- SoundtracksWilt Thou Have My Hand
Music by Herbert Stothart
[Elizabeth and all her siblings sing the song in her bedroom as she plays the piano; theme heard in the score throughout the movie]
Ausgewählte Rezension
This version of The Barretts Of Wimpole Street lacks for nothing, it's certainly an improvement over the 1934 version in a technical sense with the wide screen and color. It even has the same musical theme that Herbert Stothart wrote for the earlier version that starred Norma Shearer, Fredric March and Charles Laughton.
Jennifer Jones was following in some mighty big footsteps in portraying Elizabeth Barrett. Not only Norma Shearer's, but Katherine Cornell who originated the role in the original Broadway production in 1931 which ran for 370 performances in those Depression years. That is something that should tell you more than anything else about how good this play is. Jen creates her own sense of intelligent regal beauty as the frail poetess who summons up the courage and strength to stand up to her tyrannical father.
Charles Laughton was widely quoted as saying that in his portrayal of the issue ridden Moulton Barrett, the censors couldn't censor the gleam in his eye to get past the Code. The Code by 1957 was cracking and John Gielgud used a couple of direct physical moves rather than camera closeups to show his incestuous feelings for his daughter. Gielgud still gives a fine account of himself, though Mr. Laughton set the standard for that role. On stage it was originated by Charles Waldron who moviegoers will best remember from his last part as General Sternwood in The Big Sleep.
Bill Travers plays a somewhat different Robert Browning than Brian Aherne on stage and Fredric March on the screen. Both of those men are refined types and Browning is a bit more boisterous in this film than he was in the previous one. Still he's ready to do right by Jones and take her from the tyranny she lives under.
Though the 1934 film is an MGM classic, none of the people associated with this version have anything to be ashamed about. This is a story that could be made today. I can see the casting already, Hugh Grant as Robert Browning, Kate Winslet as Elizabeth Barrett, and Tom Wilkinson as Moulton.
I'd pay for a ticket to that. Until then we have two very good classic screen versions.
Jennifer Jones was following in some mighty big footsteps in portraying Elizabeth Barrett. Not only Norma Shearer's, but Katherine Cornell who originated the role in the original Broadway production in 1931 which ran for 370 performances in those Depression years. That is something that should tell you more than anything else about how good this play is. Jen creates her own sense of intelligent regal beauty as the frail poetess who summons up the courage and strength to stand up to her tyrannical father.
Charles Laughton was widely quoted as saying that in his portrayal of the issue ridden Moulton Barrett, the censors couldn't censor the gleam in his eye to get past the Code. The Code by 1957 was cracking and John Gielgud used a couple of direct physical moves rather than camera closeups to show his incestuous feelings for his daughter. Gielgud still gives a fine account of himself, though Mr. Laughton set the standard for that role. On stage it was originated by Charles Waldron who moviegoers will best remember from his last part as General Sternwood in The Big Sleep.
Bill Travers plays a somewhat different Robert Browning than Brian Aherne on stage and Fredric March on the screen. Both of those men are refined types and Browning is a bit more boisterous in this film than he was in the previous one. Still he's ready to do right by Jones and take her from the tyranny she lives under.
Though the 1934 film is an MGM classic, none of the people associated with this version have anything to be ashamed about. This is a story that could be made today. I can see the casting already, Hugh Grant as Robert Browning, Kate Winslet as Elizabeth Barrett, and Tom Wilkinson as Moulton.
I'd pay for a ticket to that. Until then we have two very good classic screen versions.
- bkoganbing
- 16. Aug. 2009
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Acı aşk
- Drehorte
- Marylebone Church, Marylebone, London, England, Vereinigtes Königreich(wedding sequence)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 45 Minuten
- Seitenverhältnis
- 2.55 : 1
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Oberste Lücke
By what name was The Barretts of Wimpole Street (1957) officially released in India in English?
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