Lissy

Name: Lissy
Genre: Drama
Released: 1957-05-30
Duration: 1 h 25 min
Rating: 7.4
Cast: Sonja Sutter, Horst Drinda, Hans-Peter Minetti

1957
12
1 Std. 25 Min.

IMDb-BEWERTUNG

7,4/10

127

IHRE BEWERTUNG

Drama

Füge eine Handlung in deiner Sprache hinzuA story about the rise of Nazism based on a novel by a German-Jewish author who managed to survive by fleeing to the USA. The movie focuses on working class Berliner Lissy Schroeder who marr... Alles lesenA story about the rise of Nazism based on a novel by a German-Jewish author who managed to survive by fleeing to the USA. The movie focuses on working class Berliner Lissy Schroeder who marries clerk Alfred Frohmeyer believing he can provide her with a better life. In 1932, howev... Alles lesenA story about the rise of Nazism based on a novel by a German-Jewish author who managed to survive by fleeing to the USA. The movie focuses on working class Berliner Lissy Schroeder who marries clerk Alfred Frohmeyer believing he can provide her with a better life. In 1932, however, his Jewish boss fires him. So Alfred turns to the Nazis, quickly rising in the SA, and... Alles lesen

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,4/10

127

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Fotos

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Benutzerrezensionen2

Rezension

Ausgewählte Rezension

6/10

Director wasn't Maetzig!

Previous reviewer is not off mark, but the director was NOT Kurt Maetzig, but rather Konrad Wolf! Indeed, the film is full of heavy underlining of its messages - the use of music, the voice-over as a pedagogical-didactic omniscient commentary, the heavy-handed closeups of swastikas. Interesting as a document, but not on the level of Wolf's work from STARS (1959) onward. Also interesting as a belated re-run of a lot of cinematic and iconic clichés familiar to viewers of Weimar film (the reflections in display windows, used in Lang's M and Pabst's Threepenny Opera). The melodramatic style of the film owes too much to UFA, however. The problems with the film, as Klaus Wischnewski has noted, are with its dramaturgy (compare Staudte's ROTATION for a similar film).