IMDb-BEWERTUNG
8,1/10
118.162
IHRE BEWERTUNG
Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.
- Für 1 Oscar nominiert
- 16 Gewinne & 4 Nominierungen insgesamt
Björn Bjelfvenstam
- Viktor
- (as Björn Bjelvenstam)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIngmar Bergman has described in the interview how he came up with the idea while driving from Stockholm to Dalarna, stopping in Uppsala where he had been born and raised, and driving by outside his grandmother's old house, when he suddenly began to think about how it would be if he could open the door and inside it would be just as it had been during his childhood. "So it struck me - what if you could make a film about this; that you just walk up in a realistic way and open a door, and then you walk into your childhood, and then you open another door and come back to reality, and then you make a turn around a street corner and arrive in some other period of your existence, and everything goes on, lives. That was actually the idea behind Wilde Erdbeeren (1957)"
- PatzerIt has been included as a continuity error that Marianne says she is going to go swimming at the old house, but when she returns her hair does not appear to be wet. This is not a continuity error, because when the film was shot in the late 1950s, and for at least a decade afterwards, at least in the Nordic countries women gathered their hair up and covered it with a special swimming cap to protect their hair from becoming wet. Some women who had grown up during those times used swimming caps as late as the 1980s, because they had grown up with the custom, and a swimming cap was to them just as integral part of swimming attire as a swimming suit.
- Zitate
Dr. Evald Borg: It's absurd to bring children into this world and think they'll be better off than we were.
Marianne Borg: That's just an excuse.
Dr. Evald Borg: Call it what you want. I was an unwanted child in a hellish marriage.
- VerbindungenFeatured in Sommerwünsche - Winterträume (1973)
- SoundtracksKUNGLIGA SOEDERMANLANDS REGEMENTES MARSCH
(uncredited)
Music by Carl Axel Lundvall
Ausgewählte Rezension
Although I'm not the biggest Ingmar Bergman fan, I have really enjoyed some of his movies--especially the one that are not so pessimistic. Although the underlying theme of this movie is aging and impending death, the movie is NOT all pessimism. If it had been, it would have lost my interest early on. Instead, I really enjoyed the film--particularly the fine acting by Victor Sjöström as Professor Borg.
The professor is well-respected for his work as a doctor. However, despite his success in his career, he is a failure in his personal relationships. His emotional baggage over the years has prevented him from allowing himself to be close to those he truly loves. This theme mirrors one of the subplots of Through a Glass Darkly, where a father is being destroyed inside by his daughter's mental illness but he CANNOT allow himself to show his anguish--choosing instead to hide in his room with his tears. It is interesting that the same man playing Borg's son (Gunnar Björnstrand) plays the father only a few years later in Through a Glass Darkly.
Fortunately, unlike Through a Glass Darkly, there IS evidence that the professor is willing to change his persona, as he begins to open up more through the course of the movie. This appears to be assisted through extensive soul searching and dreams the professor has concerning his past and his own mortality--along with experiences he has during a long drive down the coast of Sweden. Because of this, even his extremely strained relationship with his son appears to hold some hope of improvement by the film's end. This hope for change lifts this movie above some Bergman films that only wallow in hopelessness.
FYI--The Criterion version of this DVD is nice due to its running commentary as well as the accompanying documentary. Get this version if you have the chance.
Also FYI--After watching many Bergman films and reading about his life, I detect quite a bit of autobiography in this film and his own stuggles with intimacy.
The professor is well-respected for his work as a doctor. However, despite his success in his career, he is a failure in his personal relationships. His emotional baggage over the years has prevented him from allowing himself to be close to those he truly loves. This theme mirrors one of the subplots of Through a Glass Darkly, where a father is being destroyed inside by his daughter's mental illness but he CANNOT allow himself to show his anguish--choosing instead to hide in his room with his tears. It is interesting that the same man playing Borg's son (Gunnar Björnstrand) plays the father only a few years later in Through a Glass Darkly.
Fortunately, unlike Through a Glass Darkly, there IS evidence that the professor is willing to change his persona, as he begins to open up more through the course of the movie. This appears to be assisted through extensive soul searching and dreams the professor has concerning his past and his own mortality--along with experiences he has during a long drive down the coast of Sweden. Because of this, even his extremely strained relationship with his son appears to hold some hope of improvement by the film's end. This hope for change lifts this movie above some Bergman films that only wallow in hopelessness.
FYI--The Criterion version of this DVD is nice due to its running commentary as well as the accompanying documentary. Get this version if you have the chance.
Also FYI--After watching many Bergman films and reading about his life, I detect quite a bit of autobiography in this film and his own stuggles with intimacy.
- planktonrules
- 9. Juli 2005
- Permalink
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- Weltweiter Bruttoertrag
- 81.070 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
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Oberste Lücke
By what name was Wilde Erdbeeren (1957) officially released in India in English?
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