IMDb-BEWERTUNG
8,1/10
119.342
IHRE BEWERTUNG
Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.Am Ende eines von Gefühlskälte geprägten Lebens wird ein in die Jahre gekommener Professor mit der Leere seiner Existenz konfrontiert.
- Für 1 Oscar nominiert
- 16 Gewinne & 4 Nominierungen insgesamt
Björn Bjelfvenstam
- Viktor
- (as Björn Bjelvenstam)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to the Swedish DVD release (which contains an introductory interview with Bergman himself), Ingmar Bergman wrote the movie with Victor Sjöström in mind. He and the production company agreed that there would be no movie without Sjöström. Bergman didn't dare to call his idol Sjöström himself about the movie though, so the head of the production company made the call. Sjöström was initially reluctant, due to his advanced age, but agreed to meet with Bergman to discuss the movie. So Bergman went to his apartment and talked about it, Sjöström said he'll think about it. The next morning Sjöström called and agreed to the part on one condition: that he would be able to come home and have his whiskey grog at 5 pm every day.
- PatzerIt has been included as a continuity error that Marianne says she is going to go swimming at the old house, but when she returns her hair does not appear to be wet. This is not a continuity error, because when the film was shot in the late 1950s, and for at least a decade afterwards, at least in the Nordic countries women gathered their hair up and covered it with a special swimming cap to protect their hair from becoming wet. Some women who had grown up during those times used swimming caps as late as the 1980s, because they had grown up with the custom, and a swimming cap was to them just as integral part of swimming attire as a swimming suit.
- Zitate
Dr. Evald Borg: It's absurd to bring children into this world and think they'll be better off than we were.
Marianne Borg: That's just an excuse.
Dr. Evald Borg: Call it what you want. I was an unwanted child in a hellish marriage.
- VerbindungenFeatured in Sommerwünsche - Winterträume (1973)
- SoundtracksKUNGLIGA SOEDERMANLANDS REGEMENTES MARSCH
(uncredited)
Music by Carl Axel Lundvall
Ausgewählte Rezension
Although I'm not the biggest Ingmar Bergman fan, I have really enjoyed some of his movies--especially the one that are not so pessimistic. Although the underlying theme of this movie is aging and impending death, the movie is NOT all pessimism. If it had been, it would have lost my interest early on. Instead, I really enjoyed the film--particularly the fine acting by Victor Sjöström as Professor Borg.
The professor is well-respected for his work as a doctor. However, despite his success in his career, he is a failure in his personal relationships. His emotional baggage over the years has prevented him from allowing himself to be close to those he truly loves. This theme mirrors one of the subplots of Through a Glass Darkly, where a father is being destroyed inside by his daughter's mental illness but he CANNOT allow himself to show his anguish--choosing instead to hide in his room with his tears. It is interesting that the same man playing Borg's son (Gunnar Björnstrand) plays the father only a few years later in Through a Glass Darkly.
Fortunately, unlike Through a Glass Darkly, there IS evidence that the professor is willing to change his persona, as he begins to open up more through the course of the movie. This appears to be assisted through extensive soul searching and dreams the professor has concerning his past and his own mortality--along with experiences he has during a long drive down the coast of Sweden. Because of this, even his extremely strained relationship with his son appears to hold some hope of improvement by the film's end. This hope for change lifts this movie above some Bergman films that only wallow in hopelessness.
FYI--The Criterion version of this DVD is nice due to its running commentary as well as the accompanying documentary. Get this version if you have the chance.
Also FYI--After watching many Bergman films and reading about his life, I detect quite a bit of autobiography in this film and his own stuggles with intimacy.
The professor is well-respected for his work as a doctor. However, despite his success in his career, he is a failure in his personal relationships. His emotional baggage over the years has prevented him from allowing himself to be close to those he truly loves. This theme mirrors one of the subplots of Through a Glass Darkly, where a father is being destroyed inside by his daughter's mental illness but he CANNOT allow himself to show his anguish--choosing instead to hide in his room with his tears. It is interesting that the same man playing Borg's son (Gunnar Björnstrand) plays the father only a few years later in Through a Glass Darkly.
Fortunately, unlike Through a Glass Darkly, there IS evidence that the professor is willing to change his persona, as he begins to open up more through the course of the movie. This appears to be assisted through extensive soul searching and dreams the professor has concerning his past and his own mortality--along with experiences he has during a long drive down the coast of Sweden. Because of this, even his extremely strained relationship with his son appears to hold some hope of improvement by the film's end. This hope for change lifts this movie above some Bergman films that only wallow in hopelessness.
FYI--The Criterion version of this DVD is nice due to its running commentary as well as the accompanying documentary. Get this version if you have the chance.
Also FYI--After watching many Bergman films and reading about his life, I detect quite a bit of autobiography in this film and his own stuggles with intimacy.
- planktonrules
- 9. Juli 2005
- Permalink
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- Weltweiter Bruttoertrag
- 81.070 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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By what name was Wilde Erdbeeren (1957) officially released in India in English?
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