IMDb-BEWERTUNG
6,5/10
1190
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA woman adored by the people around her ultimately struggles to be happy with herself.A woman adored by the people around her ultimately struggles to be happy with herself.A woman adored by the people around her ultimately struggles to be happy with herself.
- Für 1 Oscar nominiert
- 1 Gewinn & 1 Nominierung insgesamt
Steven Hill
- John Tower
- (as Steve Hill)
Margaret Brayton
- Mrs. Woolsy
- (Nicht genannt)
Curt Conway
- The Writer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJoan Copeland, who played Alice Marie in the movie, was at the time the real-life sister-in-law of Marilyn Monroe, whose life was rumored to be the basis for the story.
- PatzerEmily claims that Stage Door, a play she appeared in during high school, was written by Moss Hart and George S. Kaufman; in reality it was written by Kaufman and Edna Ferber.
- Zitate
Lester Brackman: Well, she's got something, Dutch. She's very good in this picture. She's going to attract a lot of attention. She's got what I call the quality of availability.
- VerbindungenFeatured in Precious Images (1986)
Ausgewählte Rezension
We have come, over the years, to venerate the famous, no matter how good the work they turn out. Paddy Chayevsky wrote some great works, MARTY, of course, for one. THE GODDESS is not one of the them. In order to make a "well made play", Chayevsky leaves out a great deal of much needed character development. Things happen quickly; too quickly in fact, to either have a semblance of truth or make us feel anything for any of the characters. Instead of agonizing over the rise and fall of THE GODDESS, we spend the whole time trying to piece things together to see if the main character IS based on Marilyn Monroe after all. Look...instead of a baseball player, she marries a boxer! "Is that supposed to be Joe Mankiewicz talking about her in that scene? Is that Daryll Zanuck inviting her back to his home? Is the film she's talking about supposed to be GENTLEMEN PREFER BLONDES? ALL ABOUT EVE? What should be a heart wrenching drama, turns out to be instead, a far from subtle, far too short and badly over written Hollywood guessing game.
The wonderful Virgil Thompson did the musical score, but here it is totally out of sync with the rest of the film. His jaunty melodies put us in mind of the WPA films he did with Pare Lorentz instead of the background to a human drama. (To see how good a score can be in illustrating the images on the screen, go to Leonard Bernstein's amazing work for ON THE WATERFRONT.)
But the acting IS good. Thank goodness we see what a fine actress Kim Stanley was. Some of her moments, especially the quiet ones, are breathtaking. Sometimes, alas, she is allowed to go over the top. At her best in this film she gives one of the screen's greatest performances; at her worst, and there are moments, she is a caricature of every Tennessee William's female character with a little Eunice from MAMA'S FAMILY thrown in for good measure. Happily, the good moments far out number the bad, and one should see THE GODDESS to see why Stanley is so justly venerated. (Lloyd Bridges and Elizabeth Wilson are also good.)
THE GODDESS should have been a masterpiece. Instead what we get is nothing more than a fairly good film. No matter how good its pedigree, THE GODDESS turns out to be no more than a mixed blessing.
The wonderful Virgil Thompson did the musical score, but here it is totally out of sync with the rest of the film. His jaunty melodies put us in mind of the WPA films he did with Pare Lorentz instead of the background to a human drama. (To see how good a score can be in illustrating the images on the screen, go to Leonard Bernstein's amazing work for ON THE WATERFRONT.)
But the acting IS good. Thank goodness we see what a fine actress Kim Stanley was. Some of her moments, especially the quiet ones, are breathtaking. Sometimes, alas, she is allowed to go over the top. At her best in this film she gives one of the screen's greatest performances; at her worst, and there are moments, she is a caricature of every Tennessee William's female character with a little Eunice from MAMA'S FAMILY thrown in for good measure. Happily, the good moments far out number the bad, and one should see THE GODDESS to see why Stanley is so justly venerated. (Lloyd Bridges and Elizabeth Wilson are also good.)
THE GODDESS should have been a masterpiece. Instead what we get is nothing more than a fairly good film. No matter how good its pedigree, THE GODDESS turns out to be no more than a mixed blessing.
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Details
Box Office
- Budget
- 550.000 $ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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