IMDb-BEWERTUNG
7,1/10
4508
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA naive aristocrat in search of a career becomes caught up in the struggles between his profit-minded uncle and an aggressive labor union.A naive aristocrat in search of a career becomes caught up in the struggles between his profit-minded uncle and an aggressive labor union.A naive aristocrat in search of a career becomes caught up in the struggles between his profit-minded uncle and an aggressive labor union.
- 2 BAFTA Awards gewonnen
- 3 Gewinne & 1 Nominierung insgesamt
Dennis Price
- Bertram Tracepurcel
- (as Denis Price)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTwo of the shop stewards in the movie, brothers Tony Comer and John Comer, got the roles after winning a talent show as a comedy double act, "The Comer Brothers". The prize was one thousand pounds sterling and a movie contract with The Boulting Brothers.
- PatzerWhile Stanley Windrush demonstrates his forklift driving skills for Mr. Waters, he says "Well, I'm shifting these generators from the stores to here, for loading up." He drives over a bump and the (presumed full) boxes bounce as though they were empty.
- Crazy CreditsOpening quote: "Oh! Brave New World that hath such people in't" --William Shakespeare
- VerbindungenEdited into Heroes of Comedy: Terry-Thomas (1995)
Ausgewählte Rezension
Along with Alexander Mackendrick's "The Man in the White Suit," this is THE great satire of management-labor relations: less allegorical and more cheerfully crass. In a way this movie seems like a sort of crossroads in British comedy, poised between the warmer eccentricities of the Ealing films and and the screw-'em-all pop irreverence of the rising New Wave.
These days the film seems to be primarily remembered for Peter Sellers' magnificent caricature of socialist sanctimony, Fred Kite, but the whole gallery of players, many reprising roles from the earlier "Private's Progress," is excellent. Carmichael, all inane, wild-eyed grins, is Woosterish as ever as the brainless but well-intentioned Windrush. Terry-Thomas produces a very funny sketch of middle-class middle management. It's a perfect picture of lazy hypocrisy: the man who settles into a do-nothing job, knowing exactly how awful it is but not caring so long as he gets through the day. He had a face made for contempt; watching his mustache curl as he reads an entry in the workers' suggestion box ("Filthy beast," he mutters, as he tucks it away in a pocket) or as he picks his way through the rubbish of Kite's wifeless home is a joy. Price and Attenborough are, as always, first-class rotters, the iciest of the moneyed class, and Handl, Le Mesurier and Rutherford add vividly funny moments. As the war over Windrush expands from workplace to societal to domestic spheres, watching the various characters bounce and interact provides some of the movie's best-observed moments, such as the brief tea scene between Rutherford and Handl, who, though inhabiting utterly different worlds, seem to interact perfectly in mutual obliviousness.
And there is Sellers, of course, pitch-perfect whether marching around the factory like the lead float in a parade or rhapsodizing about Russia or going hilariously blank on live television. It's memorable work that might overbalance the movie's double-edged attack if it weren't human enough to be sympathetic as well.
All in all, silly, clever, raucous fun.
These days the film seems to be primarily remembered for Peter Sellers' magnificent caricature of socialist sanctimony, Fred Kite, but the whole gallery of players, many reprising roles from the earlier "Private's Progress," is excellent. Carmichael, all inane, wild-eyed grins, is Woosterish as ever as the brainless but well-intentioned Windrush. Terry-Thomas produces a very funny sketch of middle-class middle management. It's a perfect picture of lazy hypocrisy: the man who settles into a do-nothing job, knowing exactly how awful it is but not caring so long as he gets through the day. He had a face made for contempt; watching his mustache curl as he reads an entry in the workers' suggestion box ("Filthy beast," he mutters, as he tucks it away in a pocket) or as he picks his way through the rubbish of Kite's wifeless home is a joy. Price and Attenborough are, as always, first-class rotters, the iciest of the moneyed class, and Handl, Le Mesurier and Rutherford add vividly funny moments. As the war over Windrush expands from workplace to societal to domestic spheres, watching the various characters bounce and interact provides some of the movie's best-observed moments, such as the brief tea scene between Rutherford and Handl, who, though inhabiting utterly different worlds, seem to interact perfectly in mutual obliviousness.
And there is Sellers, of course, pitch-perfect whether marching around the factory like the lead float in a parade or rhapsodizing about Russia or going hilariously blank on live television. It's memorable work that might overbalance the movie's double-edged attack if it weren't human enough to be sympathetic as well.
All in all, silly, clever, raucous fun.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- I'm All Right Jack
- Drehorte
- Flexello Factory, 268 Bath Road, Slough, Vereinigtes Königreich(Stanley Windrush walks up to the factory entrance)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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By what name was Junger Mann aus gutem Hause (1959) officially released in India in English?
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