Füge eine Handlung in deiner Sprache hinzuJohnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.
- Nominiert für 2 BAFTA Awards
- 2 Nominierungen insgesamt
Eric Pohlmann
- Leon
- (as Eric Pohlman)
Paula Barry
- Intime Girl - Dancer
- (Nicht genannt)
Jack 'Kid' Berg
- Slam Dance Crowd
- (Nicht genannt)
Eddie Boyce
- Autograph Seeker
- (Nicht genannt)
Avis Bunnage
- Mrs. Rudge
- (Nicht genannt)
Rita Burke
- Intime Girl - Dancer
- (Nicht genannt)
Susan Burnet
- Edna Rudge
- (Nicht genannt)
Esma Cannon
- Night Club Cleaner
- (Nicht genannt)
Patrick Cargill
- A Psychiatrist
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe credit titles for writer, producer and director are written on sandwich boards carried by writer Wolf Mankowitz as he walks around Soho.
- Zitate
Johnny Jackson: But you can be frank with me, mister Mayer ! What's your feeling about the boy?
Mayer: Nausea!
- Crazy CreditsOpening credits are shown on a neon sign outside a theatre, a jukebox, a pinball machine, a barrel organ, a restaurant menu, a pin-board, ending with a sandwich-board man.
- Alternative VersionenReissued in 1962 at 106 minutes. This shorter version omitted a number of songs, including "Nausea." About 2 minutes of alternate scenes were used to fill in some of the cut musical scenes.
- VerbindungenFeatured in Göttinnen der Liebe (1965)
- SoundtracksNausea
(uncredited)
Music by David Heneker (as David Henneker) and Monty Norman
Lyrics by Julian More and Wolf Mankowitz
From original stage show
Ausgewählte Rezension
Featuring a veritable 'who's-who' of great actors Laurence Harvey, Eric Pohlman, Susan Hampshire, Sylvia Syms, Martin Miller (in a bunch of throwaway scenes), and many others), this film captures the 'changing of the guard', as it were, as the youth music - the then-burgeoning rock and roll was just being born in the UK. The dialogue - esp. Mr Harvey's - is rat-a-tat fast, like another commenter (rayshaw44) of this film noted, is akin to His Girl Friday's. As for another commenter (LHL12), I have a beautiful print of the filn, and it contains the 'Nausea' sequence, as well as the others mentioned. I'm writing this almost a decade after they wrote their comment (actually a long interesting story of this films butchering), and therefore I don't know if they're aware that a complete version of 'Bongo' isn't that hard to find (though I DO totally understand and commiserate, being a completest myself, I'm a stickler for the 'correct', unadulterated versions of things). To say this is a film by a great master, like a Fellini or a Kubrick, it isn't. But there was a wonderful period in postwar England that the film business percolated (a pun), and many wonderful small films of all varieties were made. This is one of them. It makes me (as one who wasn't yet born) both fond of, as well as a bit misty-eyed, as the homogenous days we are now in leave no room for an individual's voice. I highly recommend Espresso Bongo.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 女体入門
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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