Rod Serling präsentiert Horrorgeschichten, die in verschiedenen Gemälden illustriert sind.Rod Serling präsentiert Horrorgeschichten, die in verschiedenen Gemälden illustriert sind.Rod Serling präsentiert Horrorgeschichten, die in verschiedenen Gemälden illustriert sind.
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Handlung
WUSSTEST DU SCHON:
- WissenswertesArtist Thomas J. Wright painted all of the paintings used to introduce each story.
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Rod Serling: For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.
- Alternative VersionenMajor changes were made to most episodes for syndication. The 60-minute episodes were edited down to 30 minute packages, with major edits to some of the 30-40 minute segments of the original shows. In cases of segments that were only 15-20 minutes in length, these were padded out by adding stock footage, newly shot scenes, and footage from Hollywood movies such as Lautlos im Weltraum (1972) and Fahrenheit 451 (1966). Most musical cues were also replaced for syndication. In order to augment "Night Gallery"'s syndicated run, episodes of The Sixth Sense (1972) were edited down to 30 minutes, had new introductions by Rod Serling tacked on, and were added to the syndicated run of "Night Gallery."
- VerbindungenEdited from Four-In-One (1970)
Ausgewählte Rezension
Everyone knows the genius of Rod Serling's science fiction, suspense series, THE TWILIGHT ZONE. NIGHT GALLERY was a different sort of series, bringing horror to the small screen. Stories by the likes of H.P. Lovecraft, Richard Matheson, and Robert Bloch were presented weekly, in a macabre art museum setting. Serling himself was the "curator" / host. Each episode was like a mini-feature film. There was great care and quality involved.
The reason this show never reached the same stellar status that TTZ did is easy to discern. While the first season is filled with many classic episodes featuring supernatural, sometimes surreal tales, studio meddling and economic pressures doomed the later seasons to a more conventional TV hell.
The network -obviously- was only concerned with better ratings / profit, so, it demanded shorter segments, more "accessible" stories, and, of course, comedy. Serling, being the eternal iconoclast, hated this nonsense, but had no real choice. If it had all been done his way, without the tampering, NIGHT GALLERY would have been a horror masterpiece. As it stands, it has the first season of brilliance, followed by a second decent season, and a third that is hit and miss. Still, this show was unique, and even its worst episodes were better than most of the rubbish on TV...
The reason this show never reached the same stellar status that TTZ did is easy to discern. While the first season is filled with many classic episodes featuring supernatural, sometimes surreal tales, studio meddling and economic pressures doomed the later seasons to a more conventional TV hell.
The network -obviously- was only concerned with better ratings / profit, so, it demanded shorter segments, more "accessible" stories, and, of course, comedy. Serling, being the eternal iconoclast, hated this nonsense, but had no real choice. If it had all been done his way, without the tampering, NIGHT GALLERY would have been a horror masterpiece. As it stands, it has the first season of brilliance, followed by a second decent season, and a third that is hit and miss. Still, this show was unique, and even its worst episodes were better than most of the rubbish on TV...
- azathothpwiggins
- 30. Aug. 2020
- Permalink
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By what name was Wo alle Wege enden (1969) officially released in India in English?
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