Ein Polizistenduo aus dem Drogendezernat stolpert in New York über einen Drogenschmuggel mit einer französischen Verbindung.Ein Polizistenduo aus dem Drogendezernat stolpert in New York über einen Drogenschmuggel mit einer französischen Verbindung.Ein Polizistenduo aus dem Drogendezernat stolpert in New York über einen Drogenschmuggel mit einer französischen Verbindung.
- 5 Oscars gewonnen
- 22 Gewinne & 13 Nominierungen insgesamt
Frédéric de Pasquale
- Devereaux
- (as Frederic De Pasquale)
André Ernotte
- La Valle
- (as Andre Ernotte)
Patrick McDermott
- Chemist
- (as Pat McDermott)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to William Friedkin, the significance of the straw hat being tossed onto the shelf of the rear window in Doyle and Russo's car was that at that time it was a universal signal in the New York City Police Dept. that there were undercover cops in the car, on duty.
- PatzerEarly on in the movie, a Frenchman is shot. The "blood" is coming from a clearly visible hose at the bottom of the screen, which squirts red paint at the actor's face.
- Zitate
Jimmy 'Popeye' Doyle: You dumb guinea.
Buddy "Cloudy" Russo: How the hell did I know he had a knife.
Jimmy 'Popeye' Doyle: Never trust a nigger.
Buddy "Cloudy" Russo: He could have been white.
Jimmy 'Popeye' Doyle: Never trust anyone!
- Crazy CreditsThe 20th-Century Fox logo appears in black and white and then slowly dissolving to color.
- Alternative VersionenThe version released on first Blu-ray release features a radically-different color scheme from all earlier versions - it was recolored with the assistance of director William Friedkin. The second Blu-ray release features a color scheme more like all the previous versions.
- VerbindungenFeatured in Monsieur Cinéma: Folge vom 23. Januar 1972 (1972)
- SoundtracksEverybody Gets to Go to the Moon
(1969) (uncredited)
Written by Jimmy Webb
Performed by The Three Degrees in the club
Ausgewählte Rezension
The French Connection (1971)
Director William Friedkin would make it impossible to see his career straight two years after "The French Connection" by directing "The Exorcist," which took on a life of its own. But prior to that, this was the movie that defined his career. It was the New Hollywood answer to film noir, and the lead male (Gene Hackman) is presented without glamour, the gritty city (New York) without dramatic shadows and light, and the plot (about modern drug dealing) without hyped up dramatics. This is a movie as down in the mouth as the world it represents, and it's all deliberate, and smart.
This is the stuff of a breakthrough movie. It isn't quite as gripping now, I think, but it still sucks you in. There are lots of scenes in cars, including the famous car chase, and lots of good old street stuff in Manhattan, very 1970 (when it was shot). The plot and pace of things is more steady than exciting, usually, not cinema verite but a kind of camera work that is unglamorous with the idea that this really is the way it is, and it works great. It would have been easy to push this farther and make it truly boring, but it doesn't go there. Instead we see the details of a couple of cops out to break a huge dope ring.
Most of the movie (I'm going to guess three quarters) is simply the cops trailing the bad guys, on foot or by car. There are very brief interspersed personal dramas, and there are conversations that keep the plot clear, but the overall big vector here is one direction, and the cops get closer in spurts and jerks to their prey. The velocity does increase gradually in the second half, with a kind of brilliant building to a finale, and by the end it's a thrilling climax.
In a way, this kind of film is the exact opposite of something like "Die Hard," which is all exaggeration and excess. And if those other kinds of movies are more fun, this is not only edgy, it's pertinent. And the music is by jazz great Don Ellis. Look for a scene with the World Trade Center towers under construction in the distance.
Check this film out. A special movie that actually reveals something about police life, hard core, no glitz.
Director William Friedkin would make it impossible to see his career straight two years after "The French Connection" by directing "The Exorcist," which took on a life of its own. But prior to that, this was the movie that defined his career. It was the New Hollywood answer to film noir, and the lead male (Gene Hackman) is presented without glamour, the gritty city (New York) without dramatic shadows and light, and the plot (about modern drug dealing) without hyped up dramatics. This is a movie as down in the mouth as the world it represents, and it's all deliberate, and smart.
This is the stuff of a breakthrough movie. It isn't quite as gripping now, I think, but it still sucks you in. There are lots of scenes in cars, including the famous car chase, and lots of good old street stuff in Manhattan, very 1970 (when it was shot). The plot and pace of things is more steady than exciting, usually, not cinema verite but a kind of camera work that is unglamorous with the idea that this really is the way it is, and it works great. It would have been easy to push this farther and make it truly boring, but it doesn't go there. Instead we see the details of a couple of cops out to break a huge dope ring.
Most of the movie (I'm going to guess three quarters) is simply the cops trailing the bad guys, on foot or by car. There are very brief interspersed personal dramas, and there are conversations that keep the plot clear, but the overall big vector here is one direction, and the cops get closer in spurts and jerks to their prey. The velocity does increase gradually in the second half, with a kind of brilliant building to a finale, and by the end it's a thrilling climax.
In a way, this kind of film is the exact opposite of something like "Die Hard," which is all exaggeration and excess. And if those other kinds of movies are more fun, this is not only edgy, it's pertinent. And the music is by jazz great Don Ellis. Look for a scene with the World Trade Center towers under construction in the distance.
Check this film out. A special movie that actually reveals something about police life, hard core, no glitz.
- secondtake
- 2. Dez. 2010
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Contacto en Francia
- Drehorte
- Château d'If, Marseille, Bouches-du-Rhône, Frankreich(secret meeting between Charnier, Nicoli and Devereaux)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.700.000 $
- Weltweiter Bruttoertrag
- 51.703.274 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
What is the Hindi language plot outline for French Connection - Brennpunkt Brooklyn (1971)?
Antwort