Füge eine Handlung in deiner Sprache hinzuA dramatic expose of the lives of a group of gays who meet in a New York City bar on Christmas Eve.A dramatic expose of the lives of a group of gays who meet in a New York City bar on Christmas Eve.A dramatic expose of the lives of a group of gays who meet in a New York City bar on Christmas Eve.
James Murdock
- Clint
- (as David Baker)
Robert Christian
- Eric
- (as Rob Christian)
Nick De Noia
- Phil Drew
- (as Nick DeNoia)
Thomas Fiorello
- Ernie
- (as Tommy Fiorello)
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... in that it is two years post Stonewall, but there is going to be time needed - about 17 years or so - before you can explore these kinds of themes more in depths as is done in "Torch Song Trilogy".
This film is set around Christmas time at a gay bar in New York City called, the Blue Jay. "Some Of My Best Friends Are..." had a very large cast and the story bounced around from character to character or relationship to relationship exploring the dynamics of the characters or the relationships as it pertained to their personalities, attitudes, and realities associated as gay men in 1971 (when the film was made).
There are several people that were familiar to me, but I couldn't recall their names. The four characters I did recognize were Rue McClanahan (a bar customer who likes to mock some of the clientele but realizes the bar is a safe haven for her since it's unlikely any patron will make advances to her), Fannie Flag (the coat-check lady that everybody loves), Gary Sandy (narcissistic stud who looked for some yum-yum on the side once he tired of his sugar daddy), and Gil Gerard (a pilot who comes off as straight, but loves being the 'rock' for his boyfriend). It wasn't a bad film, and I'd probably want to see it again to see if I could make other observations that might have passed over me the first time around. I'm not going to spoil anything here, but there is a fight scene toward the end of the picture, and the camera work with its quick movements in a tight space containing a lot of people is quite masterful.
This film is set around Christmas time at a gay bar in New York City called, the Blue Jay. "Some Of My Best Friends Are..." had a very large cast and the story bounced around from character to character or relationship to relationship exploring the dynamics of the characters or the relationships as it pertained to their personalities, attitudes, and realities associated as gay men in 1971 (when the film was made).
There are several people that were familiar to me, but I couldn't recall their names. The four characters I did recognize were Rue McClanahan (a bar customer who likes to mock some of the clientele but realizes the bar is a safe haven for her since it's unlikely any patron will make advances to her), Fannie Flag (the coat-check lady that everybody loves), Gary Sandy (narcissistic stud who looked for some yum-yum on the side once he tired of his sugar daddy), and Gil Gerard (a pilot who comes off as straight, but loves being the 'rock' for his boyfriend). It wasn't a bad film, and I'd probably want to see it again to see if I could make other observations that might have passed over me the first time around. I'm not going to spoil anything here, but there is a fight scene toward the end of the picture, and the camera work with its quick movements in a tight space containing a lot of people is quite masterful.
It's Christmas Eve at a gay bar in Greenwich Village.
It's a portrait of a bunch of isolated people who, in one of the ending statements, have nowhere else to go. The range of characters run from flashy queens all the way to uptight New Englanders who don't do anything about their sexuality but talk about it. The bar is owned by a woman who presides like a mother at a party; her staff is mostly middle-aged men who go home to their wives. There's an undercurrent of sadness under the almost hysterical holiday partying. Like many of the cheap movies of the era -- of any era, really -- the cast includes actors years after their cinematic prime, like Carleton Carpenter, the current stars of queer cinema, like Candy Darling, and performers before they became well known, like Fannie Flagg, Gil Gerard, and Rue McClanahan.
In the end, Christmas Eve is no time to be alone, and these people are more alone than most.
It's a portrait of a bunch of isolated people who, in one of the ending statements, have nowhere else to go. The range of characters run from flashy queens all the way to uptight New Englanders who don't do anything about their sexuality but talk about it. The bar is owned by a woman who presides like a mother at a party; her staff is mostly middle-aged men who go home to their wives. There's an undercurrent of sadness under the almost hysterical holiday partying. Like many of the cheap movies of the era -- of any era, really -- the cast includes actors years after their cinematic prime, like Carleton Carpenter, the current stars of queer cinema, like Candy Darling, and performers before they became well known, like Fannie Flagg, Gil Gerard, and Rue McClanahan.
In the end, Christmas Eve is no time to be alone, and these people are more alone than most.
I wish we knew more about Mervyn Nelson, the writer and director of this one... apparently he wrote a ground-breaking film on jazz around 1950, and another ground-breaking chapter of gay life back in the day. This is totally a snapshot of gay (mostly underground at the time) life in 1971. some drag, some straight-acting, some camp. and a thank you to a very young Rue McClanahan and Fannie Flagg for being a part of this. This is a good picture of people in a gay bar at various stages of acceptance; some are at peace with who they are... some are in denial, some are having conversations about being unsure of just where things are in their life. Christmas Eve, in a gay bar. Emotions. The hustler chooses a dance partner, but then has buyer's remorse. Fights. Ups, Downs. laughter. sorrow. Probably the biggest name here is Gary Sandy, much better known as the station manager in WKRP. and Gil Gerard was also Buck Rogers. It wasn't an easy time for gay folk. even the bars could be dangerous, two years after the stonewall riots in New York City. an honest look at gay life in the city, back in the day. Good stuff. an honest picture of gay life in 1971.
This title is just another of the many gay oriented flicks that needs to be released on disc. (Dinah East and Boys In The Band are two others.) I use to live in Birmingham where Flannie Flagg is from so when this movie first played there, we went to see it, not really knowing what to expect. I was thoroughly entertained, although every time I see Carlton Carpenter, I think of he and Debbie Reynolds doing "Aba Daba Honeymoon" in the 1950 Two Weeks With Love starring Jane Powell. Anyway, getting back to this movie, Rue, of course, went on to be known best for her Golden Girls role and Gary Sandy in WKRP in Cincinnati. Since it has been so many years since Some Of My Best Friends Are, was released, it's hard to remember that much about the movie so hopefully some film distributor can acquire the rights for a DVD release.
I typed the script for SOME OF MY BEST FRIENDS ARE right after grad school at UCLA for Mervyn Nelson. Moved to NY on 8/15/69 (missed WOODSTOCK at the airport) and eventually found a life in NY. When Mervyn made the film I had already been friends with Candy Darling through an incredibly interesting workshop Mervyn ran. Also in the class were Sylvia Sims, Thao Panglis (soap star) and Eric (Hank) Estrada.
I was in a fantasy scene in the film, and found the whole shooting process a great deal of fun, especially with people like Fanny Flagg and Rue McClanahan around. It opened, disappeared and was never heard of again, unless Marty Richards knows who owns it now. I think as a piece of history in gay films, this should not be forgotten. The NY Times got it right in their initial review. Sad, sad, sad.....but it laid the ground for WILL AND GRACE and BROTHERS. SO WHERE CAN I GET A COPY OF IT?
I was in a fantasy scene in the film, and found the whole shooting process a great deal of fun, especially with people like Fanny Flagg and Rue McClanahan around. It opened, disappeared and was never heard of again, unless Marty Richards knows who owns it now. I think as a piece of history in gay films, this should not be forgotten. The NY Times got it right in their initial review. Sad, sad, sad.....but it laid the ground for WILL AND GRACE and BROTHERS. SO WHERE CAN I GET A COPY OF IT?
Wusstest du schon
- WissenswertesThis film was way ahead of its time. One of the characters referred to J. Edgar Hoover as "....a drag queen." In 1971, Hoover was still Director of the Federal Bureau of Investigation (FBI) and viewed as a traditional American hero by the majority of his fellow Americans.
- PatzerWhen the hustler (Gary Sandy) rips off the drag queen's (Candy Darling) wig, her hair ribbon somehow stays attached to her real hair underneath.
- Zitate
Barrett Hartman: Forgive me for not getting up. It's a bit awkward.
Lita Joyce: Don't apologize. I abhor men in a vertical position.
- VerbindungenFeatured in Homo Promo (1991)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Bar
- Drehorte
- Zodiac Bar - 835 Washington Street, Manhattan, New York City, New York, USA(used for Blue Jay bar)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 117.169 $
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