Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.
- Mooney
- (as Harry Carey)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDoris Day wrote in her 1975 autobiography that this was one of the films that she did not want to do, but was forced to do because her husband and manager Martin Melcher had power of attorney, and signed her for it without her knowledge or consent. She called this a "second-rate television western" that required her to get up at 4:30 every morning. However, she did enjoy the camaraderie of her fellow cast members.
- PatzerJosie gets caught on a roll of flypaper, the type of which was not invented until 50 years after the movie was set.
- Zitate
Jason Meredith: If I had thought about it, we would have stopped to eat north of the deadline.
Josie Minick: The what?
Jason Meredith: The deadline. We passed it about ten minutes back. Sheep to the south, cattle to the north.
Josie Minick: I don't know anything about a deadline.
Jason Meredith: Well, there's nothing complicated about it. You see, the cowmen opened up this territory and then the sheepmen tried to move in. Well, we had quite a debate. We burned a lot of powder and a lot of lead and we buried a few. And then finally we drew a line across the southeast section of the state. And the sheep stay on one side and the cattle on the other.
- VerbindungenFeatured in Biography: Doris Day: It's Magic (1998)
"Ballad of Josie" had spunk. It was about a woman who decided to take control of her own life after having been a battered wife. She needed to take care of her little boy and she felt that she didn't NEED A MAN to do anything FOR her. We should be applauding, not hissing this independent woman.
Day didn't want to make this film (her husband had signed for her to do it), but she felt, "a deal's a deal." She put 110% into Josie Minick and she gave a VERY professional performance. No surprise to me, because Day always gave her all, even with drivel like "Disturb" and "Mink." As an actress, she fulfilled her obligation and then some in this part. Could Shirley MacLaine or Debbie Reynolds have given a more convincing performance? I think not. Doris' approach to any scene is so natural, people forget that she's acting. Therefore, audiences and critics ignore what an incredible job she's done, despite poor scripts.
This is not among Doris Day's great films, but she was wonderful in all of her scenes. The script? It wasn't the greatest, but it wasn't the worse. I felt that her supporting cast was well-represented by some of the best character actors in the business. She got marvelous support from Andy Devine, William Talman, Peter Graves, George Kennedy, John Fiedler, Audrey Christie, David Hartman, Elizabeth Fraiser, Paul Fix, etc. And, didn't she look incredible in those jeans?!!!!!!!!
- nneprevilo
- 27. Dez. 2006
- Permalink
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.320.000 $
- Laufzeit1 Stunde 42 Minuten
- Seitenverhältnis
- 2.35 : 1