IMDb-BEWERTUNG
6,0/10
7181
IHRE BEWERTUNG
In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.
- Auszeichnungen
- 1 Nominierung insgesamt
Anthony Chinn
- Hawaiian
- (as Anthony Chin)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhile Marlon Brando had always greatly admired Sir Charles Chaplin's work and looked upon him as "probably the most talented man the [movie] medium has ever produced," the two superstars did not get along during the shooting of this movie. In his autobiography, Brando described Chaplin as "probably the most sadistic man I'd ever met." Chaplin, on his side, said that working with Brando simply was "impossible."
- PatzerDuring "everybody is getting sea-sick" scene Ogden, Natascha and Harvey push an ashtray around the table until Ogden angrily swipes it off the table. Shortly after it's back on the table in front of Natascha's chair and in the next shot it moves over to be in front of Ogden's chair, although nobody is at the table at that time.
- VerbindungenFeatured in Biography: Sophia Loren: Actress Italian Style (1997)
Ausgewählte Rezension
an interesting curio as Chaplin's last film. Loren is ravishingly beautiful and carries the whole film well on her shoulders. Brando badly miscast, he shows some great timing in the madcap farce rushing around scenes, but try to imagine how Rex Harrison could have done this type of slamming doors and hiding farce as the uptight diplomat exasperated with his stowaway - think My Fair Lady. Brando's mumbling performance just does not gel. Apparently he had disagreements with Chaplin and maybe was sulking.
Very nice cameos from Margaret Rutherford (British films of the 50s Miss Marple) and Angelar Scoular (batty girl like in her performance in On Her Majesty's Secret Service), also great comedy performance from Patrick Cargill (British TV comedy and a memorable No 2 in the Prisoner) as the butler. Excellent acting going on here.
It is dull to start with, static camera like silent films, stagy, and obvious studio sets, but by the time the sea sickness scene came along I was laughing and drawn in. The post marriage bedroom scene is funny.
There is a scene at the bar with Sydney Chaplin (Charlie's son) where he tries to distract Michael Medwin, where Sydney looks amazingly like Charlie in attitude and timing - but this is probably due to diligent direction by his father.
A really nice theme music from Charlie again. Yes, it is old fashioned, a filmed play, was absolutely released in the wrong decade, with the wrong leading man, but does show some of the Chaplin traits and even perhaps genius, certainly his humanist philosophy in the treatment of homeless or stateless persons.
A real shame it was so savaged by critics at the time and disappointed him in his old age. He deserved better for his lifetime contribution to the art of film.
Very nice cameos from Margaret Rutherford (British films of the 50s Miss Marple) and Angelar Scoular (batty girl like in her performance in On Her Majesty's Secret Service), also great comedy performance from Patrick Cargill (British TV comedy and a memorable No 2 in the Prisoner) as the butler. Excellent acting going on here.
It is dull to start with, static camera like silent films, stagy, and obvious studio sets, but by the time the sea sickness scene came along I was laughing and drawn in. The post marriage bedroom scene is funny.
There is a scene at the bar with Sydney Chaplin (Charlie's son) where he tries to distract Michael Medwin, where Sydney looks amazingly like Charlie in attitude and timing - but this is probably due to diligent direction by his father.
A really nice theme music from Charlie again. Yes, it is old fashioned, a filmed play, was absolutely released in the wrong decade, with the wrong leading man, but does show some of the Chaplin traits and even perhaps genius, certainly his humanist philosophy in the treatment of homeless or stateless persons.
A real shame it was so savaged by critics at the time and disappointed him in his old age. He deserved better for his lifetime contribution to the art of film.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- A Countess from Hong Kong
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit2 Stunden
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Die Gräfin von Hongkong (1967) officially released in India in English?
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