Nachdem seine Frau durch eine Autobombe ums Leben gekommen ist, vermehrt sich, einige Zeit später, für ihren Mann John die Möglichkeit, das sie vielleicht doch noch am Leben ist.Nachdem seine Frau durch eine Autobombe ums Leben gekommen ist, vermehrt sich, einige Zeit später, für ihren Mann John die Möglichkeit, das sie vielleicht doch noch am Leben ist.Nachdem seine Frau durch eine Autobombe ums Leben gekommen ist, vermehrt sich, einige Zeit später, für ihren Mann John die Möglichkeit, das sie vielleicht doch noch am Leben ist.
- Policeman
- (Nicht genannt)
- Horserace Spectator
- (Nicht genannt)
- Edgar Wallace
- (Archivfilmmaterial)
- (German version)
- (Synchronisation)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThough not an adaption of original material by Edgar Wallace, this film was advertised in Germany as part of the famous Edgar Wallace Series. It was such a huge flop that the producers at Rialto Film decided to delay any future plans to do further Wallace films. Due to the great success of Dario Argento's Das Geheimnis der schwarzen Handschuhe (1970), which was advertised as an adaption of a story by Wallace's son Bryan Edgar Wallace, Rialto's series re-started in 1971.
- PatzerWorst Dubbing Ever! Voices are heard on the audio while the actors are seen to be silent on screen, then flapping their mouths soundlessly on screen to silence in the audio.;
- Zitate
Liz: I knew your plan wouldn't work! You son of a bitch! If it wasn't for the inspector he would have killed me! And all because you wanted to grab your stepdaughter's money and become the real head of the company! Damn you! I told you you couldn't make this work!
Mr. Brown: You slut! I knew I couldn't trust you!
- Alternative VersionenNudity removed for US television screenings not restored to video. Rerelease in France had new sex footage featuring Alice Arno added.
- VerbindungenEdited from Der Mann mit dem Glasauge (1969)
- SoundtracksNon Dirmi Una Bugia
(Don't Tell Me a Lie)
Written by Nora Orlandi (uncredited)
Sung by Nora Orlandi (as Silvie St Laurent)
Fugly Klaus Kinski isn't too happy that his wife hates him and clearly parades her lesbian lover in front of him all the time, which makes him the prime suspect when the car she's in crashes and explodes. The real question is, Klaus hated his wife, but is he the one that killed her? We follow our subdued Klaus around London as he searches hippy filled freak out dens looking for answers.
It's in one of these stinking holes full of unemployable idealistic morons that Klaus discovers his wife starring in some sort of porno film. Her face is covered, but a scar on her neck and a distinctive ring are enough proof for Klaus. He hooks up with a hippy chick to continue his search and gets a good kicking in a porn studio for his trouble. However, as shifty as Klaus looks, someone else may be up to something - why else would Klaus be being drugged?
We get a calmer Klaus here, but you still get the usual traits from him too - staring, glowering, looking etc. Nothing is quite revealed until the end so feel free to nap through some of the film - I had a feeling I did, and didn't seem to miss anything either. This isn't the best Riccardo Fredda film - If you want giallo, try his incredibly daft and enjoyable Iguana With the Tongue of Fire and if you want horror, my preference is the Ghost. Boob fans however will not feel let down by this one.
In an alternative universe, Klaus Kinski would have been the ideal actor to play Mark E Smith of The Fall.
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Details
- Laufzeit1 Stunde 21 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1