Never one to pass up a good band wagon he could hop onto, small time independent producer Stanley Long saw the benefits major player Columbia was reaping from its innocuously naughty CONFESSIONS series with Robin Askwith portraying hapless Timothy Lea and decided that, yes, he would have a bit of that ! Already beaten to the punch as far as peeping tom window cleaners and pop performers knee-deep in groupies were concerned, he and regular screenwriter Suzanne Mercer (ironically, herself a reformed groupie and author of the supposedly autobiographical script for Long's surprise smash hit GROUPIE GIRL) turned their attentions towards another profession legendary for its lusty Lotharios, the London cabbie ?!
Now you must understand something about the British sex comedy and, by extension, the British themselves. These frothy farces play much like popular TV sitcoms like, say, ON THE BUSES or SOME MOTHERS DO 'AVE 'EM but with a little bit of what the goggle box would not allow in the form of nowadays - and actually even back then - really rather tame nudity, made to seem a lot dirtier by the leering, wink-wink, nudge-nudge approach. As any attempt at genuine eroticism made domestic audiences uncomfortable, evoked by disappointing box office takings for the likes of Henry Herbert's AWAKENING OF EMILY and Chris Boger's CRUEL PASSION, this tits 'n' titters combo proved just the meal ticket Long was looking for, jump-starting a separate series that ran for three episodes (subsequent installments concerning private detectives and...plumbers ?!) with several more planned that sadly (?) went unrealized.
Adhering to tried and true formula, Long secured the talents of Barry Evans (star of the hit TV show DOCTOR IN THE HOUSE and its follow-up DOCTOR AT LARGE) for the central part of working class laddie Joe North and surrounded him with many comfortingly familiar faces for the home viewing audience he was trying to lure away from their sets with the promise of T&A. Post-war British bombshell Diana Dors had a few funny scenes as Joe's loud-mouthed single mom with three kids sired by different dads and was starting to carve out a niche as a sexploitation character actress since American director Joe Sarno had cast her as the whorehouse Madam in EVERY AFTERNOON. Formerly respectable comedienne Liz Fraser showed no shame as kindhearted working girl Maisie in one of the film's best gags when Joe's sudden slamming the brakes makes her back seat fellatio end in tears. Already a sitcom veteran by her mid-20s, Adrienne Posta gives it her all as our hero's obnoxious fiancée Carol.
Plot, such as it is, concerns Joe trying to leave an overpopulated homestead by working long hours as a London cab driver and the outrageous scrapes he gets himself into, effectively breaking down the narrative into a series of sketches building variety show style towards punchlines. Joe shacks up with buddy Tom, a greasy mechanic played in an early professional assignment by Robert Lindsay, best know for heading the cast of long-running BBC sitcom MY FAMILY, who has just moved in with sweet stripper Nikki (Blighty cinema royalty Judy Geeson, who doesn't bare much of anything, profession notwithstanding) who keeps a python around the house as part of her act. One of the more extended stretches has the trio inviting Nikki's fellow stripper Helga (Anna Bergman, Ingmar's daughter, making her Brit sex film debut) over for a game of strip poker, ending in a bedroom romp with Joe, rudely interrupted by Carol. A bungled diamond heist takes up flick's latter part in a fruitless effort to tie up loose ends.
Technically on the crude side with flat, colorless cinematography by Peter Sinclair (who would shoot Madonna's legendary Like a Virgin video), movie's not without its share of laughs for the undemanding. The late Prudence Drage (also in Martin Campbell's ESKIMO NELL and Derek Ford's SEXPLORER) has a field day as an upper-crust pick-up who bemoans the clothing industry's poor workmanship as her fancy frock "accidentally" falls to the floor. Respected denizen of stage and screen Angela Scoular, who played Cathy in a '60s BBC version of WUTHERING HEIGHTS, performs surprisingly extensive nudity as the wife of a wealthy businessman who has inadvertently locked herself out of the house and winds up sharing a particularly uncomfortable bubble bath with Joe. Benny Hill's straight man Henry McGee turns up as the police inspector in film's final scene. Long most obviously flirted with the CONFESSIONS franchise by casting its leading lady Linda Hayden's sister Jane as suicide-prone drama queen Linda (!) in an amusing bit with DAD'S ARMY's Ian Lavender.
