Das Leben von Frauen hinter Gittern in einem Frauengefängnis.Das Leben von Frauen hinter Gittern in einem Frauengefängnis.Das Leben von Frauen hinter Gittern in einem Frauengefängnis.
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WUSSTEST DU SCHON:
- WissenswertesIn 2013 when Wentworth (2013) launched (Prisoner's re-imagining), it did so with members of the Prisoner cast, including Val Lehman, Elspeth Ballantyne, Carol Burns, Fiona Spence and Patsy King. With Fiona Spence calling Wentworth 'the ultimate compliment'
- PatzerOnce the Wentworth staff adopt khaki uniforms, the female officers have the option of wearing skirts or trousers. Invariably a skirt-wearer, Joan's arrival for work in trousers always signifies that she will be taking part in an action sequence.
- Zitate
Lizzie Birdsworth: Don't you call me names, ya smart alecky trollop!
- Crazy CreditsAs a rule, regular characters are credited by only their first name, while one-off and recurring characters are credited by both their first name (if mentioned) and surname. Similarly, officers who are not part of the regular cast are credited as "Off. [Surname]".
- Alternative VersionenIn the version shown by Channel 5 in the UK, episode 601, there was a cut of around 20 seconds when Wendy is threatening the women. She says, "Same goes for the rest of you scabs. Lou wasn't too rapt when she heard you broke the strike so I hear [from here onward, it was cut] (to Nancy) Oh what are you looking so scared about? You're name on the list is it? Eh? I wouldn't bet my boots on big chief Moron doing anything to help yous lot. He's too full of himself to worry about you lot. You should have known what side your bread was buttered on girls! Oh don't tell me [this is where the cut ended] Bird Brain's got something to say!"
- VerbindungenEdited into The Franky Doyle Story (1980)
- SoundtracksOn the Inside
(Prisoner theme)
Composed by Allan Caswell
Conducted by William Motzing
Performed by Lynne Hamilton
Ausgewählte Rezension
I have a unique affection for "Prisoner: Cell Block H". It was first shown on English TV in 1984 (Yorkshire Region only), directly after the olympic games of that year had ended. In previous weeks to stop people watching said games, ITV put on sci-fi show 'V' for the first time, and it was my love of 'V' which made me tune in to see its mysterious replacement, cryptically called : 'Prisoner' in the one line programme listings ITV served up after midnight in lieu of 24 hour programming. Within weeks I was hooked and from '84 - '87 I saw it once a week. Then I moved to Stoke (Central TV region) and was overjoyed to find Prisoner beginning its first showing in that region, what's more it was on three times a week! Two years of bliss till I returned to Yorkshire region and had to put up with a miserly 2 episodes a week. The up-shot of my moving locations in Britain being that I was probably the only person in England to have watched the majority of episodes twice! When by the mid to late nineties Yorkshire finally showed the last episode I had been avidly watching it for 10 years. Ahh, bless!
The reason it works so well is because it solves 2 of the many soap-opera's trickiest problems. WHY DO THE CHARACTERS KEEP MEETING EACH OTHER? No silly pub, postbox or neighbours been good friends, simply because they have no choice. They've all got to be together all of the time! WHY DO THE CHARACTERS HAVE SUCH MELODRAMATIC LIVES/WHY DO SO MANY OF THEM DIE? Prison offers us a uniquely brutal demographic, 1000s of ways to leave the series. Anyone could be killed off, and the joy of it been a 5 year old series by the time it reached England was that there were no spoilers in the press, only me and a cat in Durham watched it - or so it seemed!
To top it all, the machinations of the dreaded 'department' were very like 'Hill Street Blues' in showing the politics of the workplace and the corruption of the state - gave a sinister sense of panic while you were watching, no one, from the minister down to the new inmate could ever be completely trusted.
OTT Storylines ruled: terrorism, mafia, serial killers (at least two), deranged hypnotherapists, bomb disposal experts blowing up... those were the days! 'Bad Girls' never really has that escapist excess!
The reason it works so well is because it solves 2 of the many soap-opera's trickiest problems. WHY DO THE CHARACTERS KEEP MEETING EACH OTHER? No silly pub, postbox or neighbours been good friends, simply because they have no choice. They've all got to be together all of the time! WHY DO THE CHARACTERS HAVE SUCH MELODRAMATIC LIVES/WHY DO SO MANY OF THEM DIE? Prison offers us a uniquely brutal demographic, 1000s of ways to leave the series. Anyone could be killed off, and the joy of it been a 5 year old series by the time it reached England was that there were no spoilers in the press, only me and a cat in Durham watched it - or so it seemed!
To top it all, the machinations of the dreaded 'department' were very like 'Hill Street Blues' in showing the politics of the workplace and the corruption of the state - gave a sinister sense of panic while you were watching, no one, from the minister down to the new inmate could ever be completely trusted.
OTT Storylines ruled: terrorism, mafia, serial killers (at least two), deranged hypnotherapists, bomb disposal experts blowing up... those were the days! 'Bad Girls' never really has that escapist excess!
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