IMDb-BEWERTUNG
5,4/10
635
IHRE BEWERTUNG
Eine Krankenschwester, die während des Zweiten Weltkriegs in einem japanischen Frauengefangenenlager arbeitet, plant eine Flucht.Eine Krankenschwester, die während des Zweiten Weltkriegs in einem japanischen Frauengefangenenlager arbeitet, plant eine Flucht.Eine Krankenschwester, die während des Zweiten Weltkriegs in einem japanischen Frauengefangenenlager arbeitet, plant eine Flucht.
Lo Lieh
- Tsui Kuo-Tung
- (as Lieh Lo)
Dana
- Tortured inmate
- (as Shu-Yi Tsen)
Handlung
WUSSTEST DU SCHON:
- WissenswertesItalian censorship visa # 68937 delivered on 1 September 1976.
- PatzerThe camouflage saloon car that Gui Guadong (a.k.a. Tsui Kuo-Tung) drives around the compound, has single headlights: just before it goes for its escape leap, it becomes a double headlight model: as going over the compound wall, it returns to single headlights; then once out and escape careening along the road, it becomes the double headlight car again.
- VerbindungenReferenced in Fear, Panic & Censorship (2000)
Ausgewählte Rezension
During World War 2 a group of Chinese and American (Red Cross) woman are put into a Japanese military prison camp. They are sometimes made available to Japanese officers. A group of them seek a way to escape.
WIP (Women in Prison) films were very popular worldwide in the 1970's. Some were excellent, some awful and this one falls in the middle. Nudity & violence was required. This includes some torture and explicit violence by the Japanese soldiers. Chinese films used to show how violent the Japanese could be as memories of the war still was in the Chinese consciousness.
This could have been named House of Breasts as the first three-quarters have plenty. But they were just on screen a lot usually in long shots. There is a story and it evolves over the course of the movie which is good. Good special effects for it's time and set design at Shaw Brothers studio.
The problems include some scenes that didn't lead to anything going on way too long. They could have been edited down without losing anything. The second problem is sometimes characters do things or don't that didn't make sense. That's when I yell out "Oh, C'mon!" The third problem is the acting was very mediocre. The exception is Terry Liu who played the female head of prison security who was outstanding. A couple of continuity issues round out the problems.
It wasn't the worst movie of its kind. It just wasn't very good either. It wasn't even worth watching for the breasts.
WIP (Women in Prison) films were very popular worldwide in the 1970's. Some were excellent, some awful and this one falls in the middle. Nudity & violence was required. This includes some torture and explicit violence by the Japanese soldiers. Chinese films used to show how violent the Japanese could be as memories of the war still was in the Chinese consciousness.
This could have been named House of Breasts as the first three-quarters have plenty. But they were just on screen a lot usually in long shots. There is a story and it evolves over the course of the movie which is good. Good special effects for it's time and set design at Shaw Brothers studio.
The problems include some scenes that didn't lead to anything going on way too long. They could have been edited down without losing anything. The second problem is sometimes characters do things or don't that didn't make sense. That's when I yell out "Oh, C'mon!" The third problem is the acting was very mediocre. The exception is Terry Liu who played the female head of prison security who was outstanding. A couple of continuity issues round out the problems.
It wasn't the worst movie of its kind. It just wasn't very good either. It wasn't even worth watching for the breasts.
- Musicianmagic
- 10. Jan. 2025
- Permalink
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By what name was Das Bambuscamp der Frauen (1973) officially released in India in English?
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