Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.Ein Söldner wird angeheuert, um seine Ex-Freundin zu retten, eine Sängerin, die von einer Motorradgang entführt wurde.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Grand L. Bush
- The Sorels - Reggie
- (as Grand Bush)
Mykelti Williamson
- The Sorels - B.J.
- (as Mykel T. Williamson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe Attackers were the real-life band-mates of Laurie Sargent, who provided the singing voice for Ellen Aim. Their band was called Face to Face and they played mainly "new wave" music around the Boston area. The group split up in 1988.
- PatzerWhen the Sorels' bus is stopped by the cop roadblock, as McCoy is pulling the bus to a stop, there's a shot of her in the driver's seat. Seated directly behind Amy Madigan is a middle aged woman who looks like a crew member, present throughout the entire shot. She disappears immediately after the cut and is never seen again, nor was she a passenger on the bus prior to this scene.
- Alternative VersionenAn 'R' rated version of the film was shown to theater exhibitors before being cut to a 'PG' for theatrical release.
- VerbindungenEdited into Zurück in die Vergangenheit: Miss Deep South - June 7, 1958 (1990)
- SoundtracksNowhere Fast
Performed by Fire Inc.
Vocals: Holly Sherwood, Rory Dodd, Eric Troyer
Written and Produced by Jim Steinman
Ausgewählte Rezension
This is a brilliant film that is much more than it should be because of one genius director - Walter Hill.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
- monster-monster
- 29. Nov. 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Calles de fuego
- Drehorte
- Wilmington, Los Angeles, Kalifornien, USA(Factory rooftop scenes; Torchie's industrial area club scenes.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.089.290 $
- Eröffnungswochenende in den USA und in Kanada
- 2.426.500 $
- 3. Juni 1984
- Weltweiter Bruttoertrag
- 8.090.536 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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