"Enemy Mine" takes place in the future, when humankind no longer wages war among its own, but now does battle with an alien race called the Dracs. Dennis Quaid is Davidge, a fighter pilot who crashes on a remote planet while engaged in battle with a Drac (Louis Gossett, Jr.). The Drac has survived its own crash landing, and the two opponents are initially hostile and mistrustful towards one another. But they realize that they will have to rely on each other in order to continue surviving. Over time, they become friends.
An unfortunate box-office flop in its time, this charming, likeable film can be seen as an 80s sci-fi update of the 1968 classic "Hell in the Pacific". Its themes come through loud and clear: we should at least try to appreciate each other, and celebrate our differences, and not be quick to make judgments. The story can be seen as a metaphor for any sort of bigotry, and the path to understanding. Ultimately, it can't help but become a little too precious; still, it's solidly entertaining as it manipulates the emotions and delivers the thrills.
Quaid and Gossett play this superbly. Reunited two years after "Jaws 3-D", they share a great chemistry all the way down the line. They make their scenes alternately tense, touching, and also humorous. Yes, the film does have a light touch at times, especially when the Drac (whom Davidge nicknames "Jerry") is led to believe that Mickey Mouse is some great mind back on Earth!
Wolfgang Petersen does a commendable job with the direction, as he follows up his smashing North American debut feature, "The NeverEnding Story". But the two gentlemen who really need to take a bow are production designer / art director / matte artist Rolf Zehetbauer and makeup effects creator Chris Walas. Zehetbauer creates an amazing look for this production; filmed both in German studios and on location in the Canary Islands, it actually looks like it's taking place on another planet. And Walas' reptilian-like makeup is most impressive.
With soaring music by Maurice Jarre, a typically fun supporting performance by notable screen heavy Brion James, two cool creature species (one predator, one prey), and excellent widescreen photography, this makes for quite an engaging show. At least it did manage to find an audience later on video.
Seven out of 10.
