IMDb-BEWERTUNG
6,8/10
24.299
IHRE BEWERTUNG
Film noir Parodie mit einem Detektiv, der eine unheimliche Handlung aufdeckt. Charaktere aus echten Noirs erscheinen, wenn Szenen aus verschiedenen Filmen zwischengeschnitten werden.Film noir Parodie mit einem Detektiv, der eine unheimliche Handlung aufdeckt. Charaktere aus echten Noirs erscheinen, wenn Szenen aus verschiedenen Filmen zwischengeschnitten werden.Film noir Parodie mit einem Detektiv, der eine unheimliche Handlung aufdeckt. Charaktere aus echten Noirs erscheinen, wenn Szenen aus verschiedenen Filmen zwischengeschnitten werden.
Alan Ladd
- The Exterminator
- (Archivfilmmaterial)
Barbara Stanwyck
- Leona Hastings-Forrest
- (Archivfilmmaterial)
Ray Milland
- Sam Hastings (in 'Lost Weekend')
- (Archivfilmmaterial)
Ava Gardner
- Kitty Collins
- (Archivfilmmaterial)
Burt Lancaster
- Swede Anderson
- (Archivfilmmaterial)
Humphrey Bogart
- Phillip Marlowe
- (Archivfilmmaterial)
Cary Grant
- Johnnie Aysgarth
- (Archivfilmmaterial)
Ingrid Bergman
- F.X. Huberman
- (Archivfilmmaterial)
Veronica Lake
- Monica Stillpond
- (Archivfilmmaterial)
Bette Davis
- Doris Davermont
- (Archivfilmmaterial)
Lana Turner
- Jimmi-Sue Altfeld
- (Archivfilmmaterial)
Edward Arnold
- Altfeld
- (Archivfilmmaterial)
Kirk Douglas
- Thug Boss
- (Archivfilmmaterial)
Fred MacMurray
- Walter Neff
- (Archivfilmmaterial)
James Cagney
- Captain Cody Jarrett
- (Archivfilmmaterial)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFinal film of legendary costume designer Edith Head. There is a tribute to her and the personnel who worked on films from the Golden Age of Hollywood in the closing credits. Head died on 24 October 1981, a short time after production on the movie had wrapped. Fittingly, the film features many of her earlier designs in cleverly edited clips from old movies. According to Carl Reiner, Head had possession of a hat that Ava Gardner had worn and was protective of the prop. She designed a total of 20 suits to be worn by Steve Martin, in the style of those worn by Cary Grant and James Stewart during their classic-era Hollywood pictures.
- PatzerWhen Rigby is talking on Juliet's phone to her sister Leona, the handset and coiled cord to the phone are from the 1960's-80's, and not the straight cloth-covered phone cords in use in the 1940's when the story is taking place.
- Zitate
[In Rigby's office]
Juliet Forrest: If you need me, just call. You know how to dial, don't you? You just put your finger in the hole and make tiny little circles.
- Crazy CreditsAfter the Cast there comes the dedication: Dead Men Don't Wear Plaid was Edith Head's final film. To her, and to all the brilliant technical and creative people who worked on the films of the 1940's and 1950's, this motion picture is affectionately dedicated.
- VerbindungenEdited from Verdacht (1941)
Ausgewählte Rezension
Carl Reiner, the multi-talented director of this film, is the only one that could have pulled it off. Working with George Gipe, and Steve Martin in the screen play that serves as the basis of the movie, Mr. Reiner has done the impossible with "Dead Men Don't Wear Plaid".
Of course, this film is blessed with the magnificent editing by Bud Malin, who meshed the present images against those film noir masterpieces we see, blending the characters of this movie with the stars of the past, in what seems to be a seamless product. It also helps that Miklos Rozsa was the man composing the music, as everything shows a cohesiveness that is hard to distinguished in what was shot in 1982 and the old movies.
This spoof to the film noir genre is a pure delight. The main character, Rigby Reardon is the P.I. from hell, but thanks to the creators of this movie, he is perfect as the man at the center of the action.
Not being a Steve Martin fan, one has to recognize that when this actor is inspired, he can do excellent work. It would appear that with a director like Carl Reiner, he would have gone off the top, but instead, Mr. Martin gives a good reading of Rigby. Rachel Ward, as the typical woman of those films, is charming. Reni Santoni, Georege Gaynes and the rest of the supporting cast do wonders under Carl Reiner's orders.
The film brought back memories of those timeless masterpieces of the past and the stars that shone in them. We get to see Humphrey Bogart, Ava Gardner, Ingrid Bergman, Vincent Price, Alan Ladd, Veronica Lake, Barbara Stanwyck, Fred McMurray, Edward G. Robinson, and the others at the height of their fame playing against the present cast and making the viewer happy watching all the antics which Mr. Reiner and his team have created for our amusement.
This is a funny look at the old movies!
Of course, this film is blessed with the magnificent editing by Bud Malin, who meshed the present images against those film noir masterpieces we see, blending the characters of this movie with the stars of the past, in what seems to be a seamless product. It also helps that Miklos Rozsa was the man composing the music, as everything shows a cohesiveness that is hard to distinguished in what was shot in 1982 and the old movies.
This spoof to the film noir genre is a pure delight. The main character, Rigby Reardon is the P.I. from hell, but thanks to the creators of this movie, he is perfect as the man at the center of the action.
Not being a Steve Martin fan, one has to recognize that when this actor is inspired, he can do excellent work. It would appear that with a director like Carl Reiner, he would have gone off the top, but instead, Mr. Martin gives a good reading of Rigby. Rachel Ward, as the typical woman of those films, is charming. Reni Santoni, Georege Gaynes and the rest of the supporting cast do wonders under Carl Reiner's orders.
The film brought back memories of those timeless masterpieces of the past and the stars that shone in them. We get to see Humphrey Bogart, Ava Gardner, Ingrid Bergman, Vincent Price, Alan Ladd, Veronica Lake, Barbara Stanwyck, Fred McMurray, Edward G. Robinson, and the others at the height of their fame playing against the present cast and making the viewer happy watching all the antics which Mr. Reiner and his team have created for our amusement.
This is a funny look at the old movies!
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Dead Men Don't Wear Plaid
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.196.170 $
- Eröffnungswochenende in den USA und in Kanada
- 4.289.601 $
- 23. Mai 1982
- Weltweiter Bruttoertrag
- 18.196.170 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Tote tragen keine Karos (1982) officially released in India in English?
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