Ariel

1988
16
1 Std. 12 Min.

IMDb-BEWERTUNG

7,4/10

8869

IHRE BEWERTUNG

Dark Comedy Comedy Crime Romance

Ein Finne geht in die Stadt, um Arbeit zu finden, nachdem die Mine, in der er arbeitete, geschlossen wurde und sein Vater Selbstmord beging.Ein Finne geht in die Stadt, um Arbeit zu finden, nachdem die Mine, in der er arbeitete, geschlossen wurde und sein Vater Selbstmord beging.Ein Finne geht in die Stadt, um Arbeit zu finden, nachdem die Mine, in der er arbeitete, geschlossen wurde und sein Vater Selbstmord beging.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,4/10

8869

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt

Fotos62

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Wissenswertes
Aki Kaurismäki wrote the script over a weekend. Kaurismäki has called Ariel his best movie.

Patzer
Kasurinen lights a cigarette in an early cafe scene. When he enters the toilet eight seconds later, it is half consumed.

Zitate
Irmeli Katariina Pihlaja: [Taisto and Irmeli have just been on their first date] It's dark. Want to come up?
Taisto Olavi Kasurinen: If its not too much trouble.
Irmeli Katariina Pihlaja: Coffee's all I've got.
Taisto Olavi Kasurinen: Coffee's fine.
Irmeli Katariina Pihlaja: I'm divorced.
Taisto Olavi Kasurinen: Don't let it get you down.
Irmeli Katariina Pihlaja: I've got a kid too.
Taisto Olavi Kasurinen: Gives us a head start raising a family.
Irmeli Katariina Pihlaja: Are you always so confident?
Taisto Olavi Kasurinen: No, this is my first time.
Irmeli Katariina Pihlaja: Just don't make any noise.
Taisto Olavi Kasurinen: No one will even suspect.
Irmeli Katariina Pihlaja: Really? I hope I won't regret this.

Verbindungen
Featured in Selección TCM: Aki Kaurismaki (2012)

Soundtracks
Muistojeni tango
Composed by Reino Markkula
Written by Sauvo Puhtila
Performed by Olavi Virta

Benutzerrezensionen28

Rezension

Ausgewählte Rezension

A Study in Acceptance and Spontaneity - a Way of Being that Defies Circumstance

Director-screenwriter Kaurismäki seems to portray a way of feeling that defies circumstance. The protagonists see contentment and adversity without glee, remorse or recrimination. There is an unspoken lesson. In relating to one another the protagonists do not require validation, offer explanations or make demands. Main character Taisto faces the coarsest of the coarse amicably without fawning fearfully or retaliating reactively. Another character, the boy, is intelligent, quiet, never doubts, has no complex puzzlement about loyalty. What is remarkable is that none of the foregoing is typical of a real, live modern person: most of us spend thousands attempting to reach such a state of grace.