IMDb-BEWERTUNG
7,6/10
7086
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA lonely barfly falls in love with a married bar singer.A lonely barfly falls in love with a married bar singer.A lonely barfly falls in love with a married bar singer.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesWith "Kárhozat / Damnation", the first of his collaborations with novelist Laszlo Krasznahorkai, Bela Tarr adopts a formally rigorous style, featuring long takes and slow tracking shots of the bleak landscape that surrounds the characters.
- PatzerIn the Dance/Party scene, the band and the music are clearly out of sync.
- Zitate
The Singer: I like the rain. I like to watch the water run down the window. It calms me down. I don't think about anything. I just watch the rain.
- VerbindungenEdited into Gli ultimi giorni dell'umanità (2022)
Ausgewählte Rezension
Hey! Crazy movie! Oh Gaad it was so boring and depressing! Actually I felt quite privileged to have watched this film. Some people are NOT making films with the intention of being popular, and Bela Tarr is one of them. Satantango is 7 and a quarter hours long, and this one stretches an existential eternity across its 2 hours, bringing us 2 hours closer to death but hopefully nearer to life.
I was looking for symbolic significance from the first achingly long shot, but we were lucky enough to have Tarr interviewed in the cinema afterwards. He scuppered any suggestion of symbolism in his films, insisting that the fact of pointing a camera lens only at things that exist means that metaphysics and allegory are impossible in film. More than a hint of his totalitarian background in his didactic description of his work.
I felt like I had learned something from this film. I thought it showed how life in Hungary can be depressing, a struggle, apparently hopeless, but that the hopelessness only really comes from inside the person. A desperate, selfish man lurks around the drab industrial landscape, fixated on his one motivation, the woman who is his object of desire. He hatches a plan to get rid of her husband. Afterwards the director stated explicitly that the plot is deliberately simple and even banal - the main character delivers one monologue about how all stories dissipate and all heroes dissipate and die away. He stated that the dogs and the rain which both haunt the film are characters and have stories as much as the people.
If you get the chance, go and watch it. It's a proper work of art, there's nothing wrong with it!!!!!!!!!!!
I was looking for symbolic significance from the first achingly long shot, but we were lucky enough to have Tarr interviewed in the cinema afterwards. He scuppered any suggestion of symbolism in his films, insisting that the fact of pointing a camera lens only at things that exist means that metaphysics and allegory are impossible in film. More than a hint of his totalitarian background in his didactic description of his work.
I felt like I had learned something from this film. I thought it showed how life in Hungary can be depressing, a struggle, apparently hopeless, but that the hopelessness only really comes from inside the person. A desperate, selfish man lurks around the drab industrial landscape, fixated on his one motivation, the woman who is his object of desire. He hatches a plan to get rid of her husband. Afterwards the director stated explicitly that the plot is deliberately simple and even banal - the main character delivers one monologue about how all stories dissipate and all heroes dissipate and die away. He stated that the dogs and the rain which both haunt the film are characters and have stories as much as the people.
If you get the chance, go and watch it. It's a proper work of art, there's nothing wrong with it!!!!!!!!!!!
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Details
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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