IMDb-BEWERTUNG
5,9/10
1262
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Manic depressive artist survives a suicidal fall only to be possessed by a murdered gangster, who uses the artist to seek vengeance on those that ended his life.A Manic depressive artist survives a suicidal fall only to be possessed by a murdered gangster, who uses the artist to seek vengeance on those that ended his life.A Manic depressive artist survives a suicidal fall only to be possessed by a murdered gangster, who uses the artist to seek vengeance on those that ended his life.
Danny Daniels
- Rasta Doctor
- (as Danny D. Daniels)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis film was originally supposed to get a bigger domestic theatrical release in America, but the studio executive who supported the film was fired and replaced by another person who decided to give this film a more limited theatrical release instead. As a direct result of this, plans for a potential sequel were eventually abandoned altogether despite the fact that this movie did well in various foreign territories.
- Zitate
George Miller: [Begging Vito] NO MORE... NO MORE
Vito Minelli Sr.: [as he posesses George once again] ONCE MORE
- Alternative VersionenThe Dutch version is the only fully uncut one. All other versions (Greek, Japanese, Australian, US, German, UK...) are cut in gore scenes, basically because they are based on the R-Rated US-Version. The Australian Rental Tape, the German and the UK Version are even more cut than the USA R-Rated version.
- VerbindungenReferenced in Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
- SoundtracksLiving in a Cesspool
by Tavabonn
© 1986 Kutabov Music A.S.C.A.P.
Ausgewählte Rezension
One really good episode of TALES FROM THE DARKSIDE that I remember is "Dead Man's Shoes," where an average Joe finds a pair of shoes and decides to put them on. The shoes, however, belonged to a recently deceased mobster, who decides to possess the man and seek revenge on those who sent him to his grave. RETRIBUTION is just like that, only a lot bloodier.
George is a depressed painter who's had it with life. On Halloween night, he jumps off the roof of his apartment building and dies. However, he is brought back by some paramedics, but something isn't quite right with him. Whenever he falls asleep, he has dreams of killing people in gruesome ways, and when he awakens, these people are actually dead. You see, he is now possessed by a mobster who not only shared his birthday, but he was gunned down at the same time George realized he can't fly, so now, the mobster is killing those who killed him. Can George stop him before the killing begins again?
RETRIBUTION is a decent enough watch, but it could have been a whole lot better. Considering this was released in the trash-tastic year of 1987, they managed to have a really intriguing plot, great actors, and good gore effects. Unfortunately, they underplay everything except the actors.
Yes, there is a lot of talking and a lot of character building, which is both a good and a bad thing. Good, because we actually begin to like and connect with the characters. Bad, because it keeps us away from the good stuff.
The kills in RETRIBUTION are all gory, all inventive, and there aren't many of them. There are only four people who gunned down Vito (the mobster), and he doesn't even get his revenge on all of them. There is some great build-up and suspense with the deaths and the "possessed George" is frightening enough to work.
There are a lot of scenes where George's possession takes hold, like when they go to a spiritualist, or when he paints several portraits of the charred Vito (which looks eerily similar to Freddy).
Don't get me wrong; RETRIBUTION is from being a bad movie, it's just not all that great. I liked all the characters, I liked the gore, and the scares were good, it's just that each of these is either underplayed or overplayed. It's "technically" a lot better than most late-eighties direct-to-video garbage; it's just not as entertaining as it should be.
Still, it's worth watching.
George is a depressed painter who's had it with life. On Halloween night, he jumps off the roof of his apartment building and dies. However, he is brought back by some paramedics, but something isn't quite right with him. Whenever he falls asleep, he has dreams of killing people in gruesome ways, and when he awakens, these people are actually dead. You see, he is now possessed by a mobster who not only shared his birthday, but he was gunned down at the same time George realized he can't fly, so now, the mobster is killing those who killed him. Can George stop him before the killing begins again?
RETRIBUTION is a decent enough watch, but it could have been a whole lot better. Considering this was released in the trash-tastic year of 1987, they managed to have a really intriguing plot, great actors, and good gore effects. Unfortunately, they underplay everything except the actors.
Yes, there is a lot of talking and a lot of character building, which is both a good and a bad thing. Good, because we actually begin to like and connect with the characters. Bad, because it keeps us away from the good stuff.
The kills in RETRIBUTION are all gory, all inventive, and there aren't many of them. There are only four people who gunned down Vito (the mobster), and he doesn't even get his revenge on all of them. There is some great build-up and suspense with the deaths and the "possessed George" is frightening enough to work.
There are a lot of scenes where George's possession takes hold, like when they go to a spiritualist, or when he paints several portraits of the charred Vito (which looks eerily similar to Freddy).
Don't get me wrong; RETRIBUTION is from being a bad movie, it's just not all that great. I liked all the characters, I liked the gore, and the scares were good, it's just that each of these is either underplayed or overplayed. It's "technically" a lot better than most late-eighties direct-to-video garbage; it's just not as entertaining as it should be.
Still, it's worth watching.
- ObscureCinema101
- 31. Mai 2012
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit1 Stunde 49 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Die Rückkehr des Unbegreiflichen (1987) officially released in India in English?
Antwort