IMDb-BEWERTUNG
7,5/10
17.913
IHRE BEWERTUNG
Ein Junge versucht in Nazideutschland seine jüdische Identität zu verstecken, indem er der Hitlerjugend beitritt.Ein Junge versucht in Nazideutschland seine jüdische Identität zu verstecken, indem er der Hitlerjugend beitritt.Ein Junge versucht in Nazideutschland seine jüdische Identität zu verstecken, indem er der Hitlerjugend beitritt.
- Für 1 Oscar nominiert
- 8 Gewinne & 8 Nominierungen insgesamt
Solomon Perel
- Self
- (as Salomon Perel)
Jorg Schnass
- Pfeiffer
- (as Jörg Schnass)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film met with a lukewarm reception in its native Germany, with the local media being less than complimentary about it. The German Oscar selection committee did not even include it as a submission for that year's Best Foreign Language Film Oscar. Much embarrassment ensued when it went on to become one of the most successful German films ever released in the US, winning a Golden Globe and an Oscar nomination for Best Adapted Screenplay.
- PatzerAt one point Salomon narrowly misses being killed in an air-raid, which kills his roommate. Rather than show a World War II aircraft, or even a bomber, stock footage shows a single C-130 Hercules transport aircraft, which was not even designed until many years after the war.
- Zitate
Isaak Perel - Salomons brother: It is written that a son never leaves his parents in difficult times.
Solomon's Father: It is also written that the son must obey his parents. And it is also your duty to watch over your brother.
- SoundtracksThe blue Danube
Ausgewählte Rezension
One has to be annoyed with comments that question either the historical verisimilitude or the integrity of this film, whether from the shaky ground of some rigid, illiberal ideological or religious prejudice or from some one-sided version of history. Furthermore, negative ad hominem attacks on someone other than political leaders or other persons who willingly seek out the public eye are reprehensible.
Does this story ring true? It does to me, and if there is even one-tenth as much basis in fact in the life of Salomon Perel as is represented in the film, I am satisfied. Having been to all the places and delved into the culture and history of all the nationalities that comprise its background, I am also convinced that much if not all of the story is correct at a level that goes well beyond whether this or that small factual detail is rooted in what actually happened to the real Perel.
Moreover, "Hitlerjunge Salomon" (better known in English-speaking countries as "Europa, Europa") is a masterful piece of cinema, beautifully produced and directed, and bearing a cachet of authenticity that few cross-cultural films achieve. I can attest to the utterly convincing script and characterization within the German language portion, and the bits in Polish and Russian seem equally strong.
Why is it so difficult to believe that a malleable teenager raised in a cross-cultural environment would be any less rooted in one part of his life than another? Marco Hofschneider captures precisely the right tone as he demonstrates how "Solly" and "Jupp" are two complementary aspects of the same person. Indeed, there are even good Germans and bad Germans, good Poles and bad Poles, etc., etc. throughout the film.
None of this compromises the truth that millions of other Jews did not survive the Holocaust. Nor does it demean their memory to cast a glance or two at this singular exception. The survivors have their stories as do the victims, and to explore the wider spectrum of life that goes on is surely to find hope in the ruins of an otherwise depraved episode in world history.
Does this story ring true? It does to me, and if there is even one-tenth as much basis in fact in the life of Salomon Perel as is represented in the film, I am satisfied. Having been to all the places and delved into the culture and history of all the nationalities that comprise its background, I am also convinced that much if not all of the story is correct at a level that goes well beyond whether this or that small factual detail is rooted in what actually happened to the real Perel.
Moreover, "Hitlerjunge Salomon" (better known in English-speaking countries as "Europa, Europa") is a masterful piece of cinema, beautifully produced and directed, and bearing a cachet of authenticity that few cross-cultural films achieve. I can attest to the utterly convincing script and characterization within the German language portion, and the bits in Polish and Russian seem equally strong.
Why is it so difficult to believe that a malleable teenager raised in a cross-cultural environment would be any less rooted in one part of his life than another? Marco Hofschneider captures precisely the right tone as he demonstrates how "Solly" and "Jupp" are two complementary aspects of the same person. Indeed, there are even good Germans and bad Germans, good Poles and bad Poles, etc., etc. throughout the film.
None of this compromises the truth that millions of other Jews did not survive the Holocaust. Nor does it demean their memory to cast a glance or two at this singular exception. The survivors have their stories as do the victims, and to explore the wider spectrum of life that goes on is surely to find hope in the ruins of an otherwise depraved episode in world history.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Europa Europa
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 5.575.738 $
- Eröffnungswochenende in den USA und in Kanada
- 31.433 $
- 30. Juni 1991
- Weltweiter Bruttoertrag
- 5.575.738 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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Oberste Lücke
By what name was Hitlerjunge Salomon (1990) officially released in India in English?
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