David Carradine stars as Colonel James Cooper, taken prisoner during the Vietnam War. Since he is the highest ranking officer in the custody of the Vietnamese army, they intend to make an example out of him. But the camp commander, Captain Vinh (Mako), offers him a deal: Vinh wants to use the booty he's stolen from his prisoners to build a new life in America, and offers to take Cooper with him when he makes an escape. But Cooper is a strict believer in the "no man left behind" policy, and won't agree unless the other prisoners in the camp can come with him. Vinh reluctantly agrees, and so the big escape journey begins.
"P.O.W. The Escape", a.k.a. "Behind Enemy Lines", mostly foregoes politics in order to concentrate mainly on action. And, as directed by Gideon Amir, it delivers many thrills - explosions, gunfights, stunts, a major set piece on a river, you name it. It's actually pretty entertaining for what it is. It amusingly turns Carradine into a Chuck Norris / Sylvester Stallone kind of hero, the kind of guy who energetically takes on all comers while rarely sustaining much physical damage himself. Therefore, it's NOT something to really take seriously. With the Philippines once again standing in for Vietnam, there's much excellent location work, and a certain degree of atmosphere. That's not to mention the omnipresent soundtrack, which is mostly a collection of cues taken from previous Cannon Group productions.
Carradine is a true study in no-nonsense, all-business stoicism here, with strong support from a rock-solid Steve James, one of the most charismatic second bananas to ever grace cinema with his presence. There's also some delicious villainy from Mako, jovial and smiling at first, but deadly serious when he needs to be. To add to the tension, there's antagonism from a Jerk soldier named Sparks (Charles Grant), who's as self-serving a character as you're ever likely to see. Other familiar faces like Phil Brock, Tony Pierce, and Ken Metcalfe have supporting roles and bits.
"P.O.W. The Escape" will not be for viewers expecting realism or historical accuracy. It's just a straightforward little diversion that holds viewer attention for a well-paced hour and a half.
Seven out of 10.
