IMDb-BEWERTUNG
5,7/10
3189
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzu10 short films by 10 different directors, set to arias by different composers.10 short films by 10 different directors, set to arias by different composers.10 short films by 10 different directors, set to arias by different composers.
- Auszeichnungen
- 1 Nominierung insgesamt
Christopher Hunter
- Assassin (segment "Un ballo in maschera")
- (as Chris Hunter)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOrson Welles agreed to direct one segment, and asked for a contract to be sent to him in Los Angeles. He died before signing the contract, which had been sent, according to producer Don Boyd, to an address that turned out to be the funeral parlor in which he was laid out. Boyd is still unsure whether this was Welles' final joke.
- PatzerBuck Henry extinguishes his cigar in the bathroom and, moments later, while on the phone his cigar is lit and he is smoking it.
- Zitate
Jeune Fille: [Armide segment] He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
Jeune Fille: O how I'd love to hate him.
- Alternative VersionenAmazon Prime has what seems to be an extended version, running 96 minutes.
- SoundtracksUn Ballo in Maschera (extracts)
Music by Giuseppe Verdi
Performed by Leontyne Price, Carlo Bergonzi, Robert Merrill, Shirley Verrett,
Reri Grist with R.C.A. Italiana Opera Orchestra and Chorus
Conducted by Erich Leinsdorf
segment "Un Ballo in Maschera"
(extracts - "Prelude", "Re dell' abisso", "Di che fulgor che musiche", "la rivedra nell'estasi",
"Ebben si t'amo", "Mezza notte" and "O giustizia del fato")
Ausgewählte Rezension
"Aria" as a whole is a pretty underwhelming experience, as most compilation films are. No one segment is very long, so the whole thing is painless to sit through, but I can't really bring myself to recommend it to anyone.
The standout segment for me was Ken Russell's, which depicts a woman hallucinating while on the operating table after a terrible car accident. It helps that the segment is set to "Nessum dorma," one of my favorite opera pieces -- I would find a filmed toaster glorious as long as it was set to that particular piece of music. Franc Roddam's segment is pretty decent, and features Bridget Fonda in her film debut. I liked Jean-Luc Godard's segment, which is set in a gym and features a bunch of body builders completely oblivious of the naked women dancing around them -- perhaps a comment on male narcissism? Robert Altman's segment, which is primarily the reason I wanted to see this movie at all, is utterly forgettable -- the only notable thing about it is that you can tell he was filming "Beyond Therapy" at the same time, as many of the same actors are in both. Nicholas Roeg's segment, which opens the film, is pretty bad, as is Julien Temple's painfully unfunny contribution (though it features a smokin' Beverly D'Angelo), while Bruce Beresford's is just boring. Watch Derek Jarman's segment for a glimpse of a very young and pretty Tilda Swinton.
There's not much to say about films like this. Some portions are better than others; none of them are masterpieces.
Grade: B-
The standout segment for me was Ken Russell's, which depicts a woman hallucinating while on the operating table after a terrible car accident. It helps that the segment is set to "Nessum dorma," one of my favorite opera pieces -- I would find a filmed toaster glorious as long as it was set to that particular piece of music. Franc Roddam's segment is pretty decent, and features Bridget Fonda in her film debut. I liked Jean-Luc Godard's segment, which is set in a gym and features a bunch of body builders completely oblivious of the naked women dancing around them -- perhaps a comment on male narcissism? Robert Altman's segment, which is primarily the reason I wanted to see this movie at all, is utterly forgettable -- the only notable thing about it is that you can tell he was filming "Beyond Therapy" at the same time, as many of the same actors are in both. Nicholas Roeg's segment, which opens the film, is pretty bad, as is Julien Temple's painfully unfunny contribution (though it features a smokin' Beverly D'Angelo), while Bruce Beresford's is just boring. Watch Derek Jarman's segment for a glimpse of a very young and pretty Tilda Swinton.
There's not much to say about films like this. Some portions are better than others; none of them are masterpieces.
Grade: B-
- evanston_dad
- 27. Mai 2008
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Abaris ou les Boréades
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.028.679 $
- Eröffnungswochenende in den USA und in Kanada
- 7.580 $
- 20. März 1988
- Weltweiter Bruttoertrag
- 1.028.679 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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