Giselle - Dancers

Originaltitel: Dancers

1987
0
1 Std. 39 Min.

IMDb-BEWERTUNG

4,5/10

365

IHRE BEWERTUNG

Mikhail Baryshnikov in Giselle - Dancers (1987)

Costume Drama Drama Musical

Füge eine Handlung in deiner Sprache hinzuA successful aging dancer takes a young female protegee.A successful aging dancer takes a young female protegee.A successful aging dancer takes a young female protegee.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

4,5/10

365

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 Nominierung insgesamt

Wissenswertes
The flower Lisa has tattooed on her hip is a daisy which is usually the flower used in the game "He loves me, he loves me not" or "She loves me, she loves me not." This game is of French origin and is the way Giselle determines if Albrecht really loves her. It begins with the first petal picked representing "he/she loves me" and whatever the last petal picked says is the truth of how the person's love interest really feels about them. The last petal on Giselle's daisy was "he loves me not." Like Giselle, the last petal on Lisa's daisy tattoo is "he loves me not."

Verbindungen
Featured in Siskel & Ebert & the Movies: Chuck Berry: Hail! Hail! Rock 'n' Roll/Like Father Like Son/Baby Boom/Big Shots/Matewan (1987)

Soundtracks
Giselle
Written by Adolphe Adam
Conducted by Michael Tilson Thomas
Performed by The London Symphony Orchestra
Recording Engineer Tony Faulkner

Benutzerrezensionen8

Rezension

Ausgewählte Rezension

6/10

The set up could have much more interesting

(1987) Dancers DRAMA

Young Lisa (Julie Kent) from NYC has just arrive to Italy to play a role for the ballet version of "Giselle" by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier starring infamous ballet dancer, Tony (Mikhail Baryshnikov) who is making it his final on screen stage performance. He play itself somehow mirrors Tony's love life as a known womanizer or as a player Lisa soon discovers the hard way.

Had I not already know who Mikhail Baryshnikov was, it would have been unbearable but because I wanted to see what he is capable of doing in terms of his ballet dancing, his onscreen presence was good enough. It's like seeing a Charlie Chaplin or Harold Lloyd characters and then wondering what kind of scenario he is going to surprise us about. I feel that way whenever I see Baryshnikov on screen to show us what kind of ballet he is going show me.