IMDb-BEWERTUNG
6,0/10
6301
IHRE BEWERTUNG
Ein Regisseur und ein Drehbuchautor schreiben ein Drehbuch und verwischen dabei die Grenze zwischen Fiktion und Realität.Ein Regisseur und ein Drehbuchautor schreiben ein Drehbuch und verwischen dabei die Grenze zwischen Fiktion und Realität.Ein Regisseur und ein Drehbuchautor schreiben ein Drehbuch und verwischen dabei die Grenze zwischen Fiktion und Realität.
- Auszeichnungen
- 1 Nominierung insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe story Udo Kier's character Udo tells Lars and Niels, is actually the real story of Udo Kier's birth.
- Crazy CreditsThe film's title appears in red letters in the upper left corner of the screen for the entire length of the film.
- VerbindungenFeatured in The Making of 'Europa' (1991)
- SoundtracksTannhäuser (The Overture)
Composed by Richard Wagner
Ausgewählte Rezension
EPIDEMIC (Lars von Trier - Demark 1987).
Von Trier's second feature reveals his obsessions with cinema, with his self-imposed limitations on film-making in many ways foreshadowing Von Trier's later obstructions upon Jorgen Leth in THE FIVE OBSTRUCTIONS (2003).
Essentially a film about his own obsessions, or a grand parody on horror, as some suggested. Von, Trier, frustrated by the delay of his never realized project, "The Grand Mal", about two gangster families in divided Berlin, made a bet with film consultant Claes Kastholm of the Danish Film Institute, claiming that he could make a feature film for one million Danish kroner. Resulting partly in an amateur movie about a film director and a scriptwriter who must write a new manuscript in five days, interspersed with scenes from the film they are working on - about a young idealistic doctor in the late 20th century, who tries to fight an epidemic, but only manages to spread it further. The film culminates with the outbreak of a deadly plague, not in the past but in the present. Throughout the film, Von Trier shows his fascination with Germany, for example, during a ride through the "Ruhrgebiet", the industrial core of Europe, or the world, at least during the '80s.
Camera Obscura --- 8/10
Von Trier's second feature reveals his obsessions with cinema, with his self-imposed limitations on film-making in many ways foreshadowing Von Trier's later obstructions upon Jorgen Leth in THE FIVE OBSTRUCTIONS (2003).
Essentially a film about his own obsessions, or a grand parody on horror, as some suggested. Von, Trier, frustrated by the delay of his never realized project, "The Grand Mal", about two gangster families in divided Berlin, made a bet with film consultant Claes Kastholm of the Danish Film Institute, claiming that he could make a feature film for one million Danish kroner. Resulting partly in an amateur movie about a film director and a scriptwriter who must write a new manuscript in five days, interspersed with scenes from the film they are working on - about a young idealistic doctor in the late 20th century, who tries to fight an epidemic, but only manages to spread it further. The film culminates with the outbreak of a deadly plague, not in the past but in the present. Throughout the film, Von Trier shows his fascination with Germany, for example, during a ride through the "Ruhrgebiet", the industrial core of Europe, or the world, at least during the '80s.
Camera Obscura --- 8/10
- Camera-Obscura
- 24. Nov. 2006
- Permalink
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Details
Box Office
- Weltweiter Bruttoertrag
- 938 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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