IMDb-BEWERTUNG
5,1/10
1358
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a family man is poisoned to death, it's covered up as a stomach hemorrhage and his spirit returns to aid his daughter in finding his killers.When a family man is poisoned to death, it's covered up as a stomach hemorrhage and his spirit returns to aid his daughter in finding his killers.When a family man is poisoned to death, it's covered up as a stomach hemorrhage and his spirit returns to aid his daughter in finding his killers.
Frances Nacman
- Hilda Mainardi
- (as Frances Nacmen)
Sacha Darwin
- Dorrie
- (as Sacha Maria Darwin)
Rosa Maria Grauso
- Rosy as a child
- (as Rosamaria Grauso)
Erminio Bianchi Fasani
- Man at Funeral
- (Nicht genannt)
Robert Daniels
- Doctor
- (Nicht genannt)
Tom Felleghy
- Restaurant Manager
- (Nicht genannt)
Lucio Fulci
- Pathologist
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesLucio Fulci: The pathologist who performs the autopsy on Gigorio.
- PatzerWhen Rosy's boyfriend turns to her in bed and says "Listen, Rosy", her hand is on her chest, but it wasn't in the previous shot, yet it's supposed to be a direct continuation from the previous shot.
- Crazy CreditsThe closing title card reads: "this film is dedicated to my few real friends, in particular to Clive Barker and Claudio Carabba." - Lucio Fulci.
- VerbindungenFeatured in Have a Nice Vacation, Doctor Fulci! (2016)
Ausgewählte Rezension
Caution: Some plot and scenes revealed
"Voices from beyond" is one of Fulci's most coherent and successful productions, especially among his last films. As usual, the subject are the horrors of death and what comes after it.
The story deals with the death of Giorgi Mainardi, a man with a lot of money and enemies. After the prologue and the opening credits we witness the violent death of Mainardi, vomitting loads of blood. During his burial ceremony we are introduced to the main characters and in flash back sequences to why they had good reason to hate him. After his death, Mainardi manages to keep contact to the living: To his only trustee, his daughter Rosy, he talks in dreams, and his enemies he haunts with terrible nightmares. This concept gives Fulci the opportunity to insert many wildly surreal dream sequences (including, believe it or not, a zombie attack), and he makes good use of it. This dreamlike aspect of the movie is contrasted to the clinical analysis of Mainardi's death and decay, starting from his unpleasant demise on the death bed, ranging over the autopsy carried out by the Maestro (i.e., Fulci) himself, and ending in repeated shots of his decaying corpse.
Other fine images include a still life with broken light bulbs (the device used to kill Mainardi) which summarizes the evil plot against him.
We also watch the claustrophobia of Mainardi's father whose spirit is still alive but who has no means to communicate with the outside world, except his tears. He has to suffer interminable mockings through Mainardi's enemies.
Maybe this character expresses Fulci's own incapacity to express himself properly in his latest movies due to extremely limited budgets and equipment. In fact, in an interview Fulci declared that he wanted to make one more movie with sufficient production values (i.e., "The Wax mask"), so that he can die in peace. As everybody knows, fate has declined this favour to him.
Nevertheless, with "Voices from beyond", Fulci has demonstrated that he could create something of value even with restricted resources.
"Voices from beyond" is one of Fulci's most coherent and successful productions, especially among his last films. As usual, the subject are the horrors of death and what comes after it.
The story deals with the death of Giorgi Mainardi, a man with a lot of money and enemies. After the prologue and the opening credits we witness the violent death of Mainardi, vomitting loads of blood. During his burial ceremony we are introduced to the main characters and in flash back sequences to why they had good reason to hate him. After his death, Mainardi manages to keep contact to the living: To his only trustee, his daughter Rosy, he talks in dreams, and his enemies he haunts with terrible nightmares. This concept gives Fulci the opportunity to insert many wildly surreal dream sequences (including, believe it or not, a zombie attack), and he makes good use of it. This dreamlike aspect of the movie is contrasted to the clinical analysis of Mainardi's death and decay, starting from his unpleasant demise on the death bed, ranging over the autopsy carried out by the Maestro (i.e., Fulci) himself, and ending in repeated shots of his decaying corpse.
Other fine images include a still life with broken light bulbs (the device used to kill Mainardi) which summarizes the evil plot against him.
We also watch the claustrophobia of Mainardi's father whose spirit is still alive but who has no means to communicate with the outside world, except his tears. He has to suffer interminable mockings through Mainardi's enemies.
Maybe this character expresses Fulci's own incapacity to express himself properly in his latest movies due to extremely limited budgets and equipment. In fact, in an interview Fulci declared that he wanted to make one more movie with sufficient production values (i.e., "The Wax mask"), so that he can die in peace. As everybody knows, fate has declined this favour to him.
Nevertheless, with "Voices from beyond", Fulci has demonstrated that he could create something of value even with restricted resources.
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Details
- Laufzeit1 Stunde 31 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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Oberste Lücke
By what name was Voci dal profondo (1991) officially released in India in English?
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