IMDb-BEWERTUNG
6,6/10
1456
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuHungarian conductor plans bold "Tannhäuser" production amid opera politics, artistic egos, nationalism, union conflicts, and funding challenges in critique of Grand Opera and European Union.Hungarian conductor plans bold "Tannhäuser" production amid opera politics, artistic egos, nationalism, union conflicts, and funding challenges in critique of Grand Opera and European Union.Hungarian conductor plans bold "Tannhäuser" production amid opera politics, artistic egos, nationalism, union conflicts, and funding challenges in critique of Grand Opera and European Union.
- Auszeichnungen
- 3 Gewinne & 2 Nominierungen insgesamt
Kiri Te Kanawa
- Elisabeth (Tannhäuser highlights performed by)
- (Synchronisation)
René Kollo
- Tannhäuser (Tannhäuser highlights performed by)
- (Synchronisation)
Waltraud Meier
- Venus (Tannhäuser highlights performed by)
- (Synchronisation)
Renate Spingler
- A young shepherd (Tannhäuser highlights perfomed by)
- (Synchronisation)
Matthias Hölle
- The Landgrave (Tannhäuser highlights performed by)
- (Synchronisation)
Rodney Macann
- Biterolf (Tannhäuser highlights performed by)
- (Synchronisation)
Johara Farley
- Dancer
- (as Johara Racz)
Dieter Rita Scholl
- Delfin Van Delf
- (as Rita Scholl)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOpera singer Kiri Te Kanawa dubbed the singing voice of lead actress Glenn Close.
- Zitate
Zoltan Szanto: I could mix up my work with my private life.
- SoundtracksTannhäuser
(extraits)
Music by Richard Wagner
Performed by Kiri Te Kanawa, René Kollo, Håkan Hagegård, Waltraud Meier,
Renate Spingler, Matthias Hölle, Kim Begley, Robin Leggate, Rodney Macann,
, Roderick Earle with The Philharmonia Orchestra (as London Philharmonia Orchestra)
Conducted by Marek Janowski
Ausgewählte Rezension
this movie, besides giving the casual viewer a glimpse into the operatic world, also affords the viewer a casual glimpse into the world and the business, of music making, and it ain't pretty. but it's accurate.
as a professional musician in an international setting for more than 25 years, let me assure you that the evils of the music business are all here on display, and they are represented accurately: complaining musicians, managers for whom the word 'know' was replaced by the word 'no' at an early age (perhaps in their infancy), smarmy interfering union reps, and please God, save us all from short conductors with bleeping inferiority complexes.
and then there are the operatic singers. oh my!! (dr. georg szell called opera singers, " 'unmusical beasts', who have to have every note beaten into them by a vocal coach". this is true, by my experience).
the only really weak moment that i noticed was when the conductor left the podium during a rehearsal to knock on the door of the singer. this is absolutely improbable/impossible in my experience. conductors get their 'power' by being on the podium. they do not leave the podium
orchestra conducters get/force sex by more sordid means, not by leaving the podium.
this movie has a lot to recommend it, on many different levels- check it out.
i give it a 9.2.
watch it in a 'Robert Altman' frame of mind, i think that you will see what i mean.
it's not 'terror in tiny town'. and it's not, 'the godfather, part one'. it's somewhere in between. it's really a fine movie.
thanks. alvink
as a professional musician in an international setting for more than 25 years, let me assure you that the evils of the music business are all here on display, and they are represented accurately: complaining musicians, managers for whom the word 'know' was replaced by the word 'no' at an early age (perhaps in their infancy), smarmy interfering union reps, and please God, save us all from short conductors with bleeping inferiority complexes.
and then there are the operatic singers. oh my!! (dr. georg szell called opera singers, " 'unmusical beasts', who have to have every note beaten into them by a vocal coach". this is true, by my experience).
the only really weak moment that i noticed was when the conductor left the podium during a rehearsal to knock on the door of the singer. this is absolutely improbable/impossible in my experience. conductors get their 'power' by being on the podium. they do not leave the podium
orchestra conducters get/force sex by more sordid means, not by leaving the podium.
this movie has a lot to recommend it, on many different levels- check it out.
i give it a 9.2.
watch it in a 'Robert Altman' frame of mind, i think that you will see what i mean.
it's not 'terror in tiny town'. and it's not, 'the godfather, part one'. it's somewhere in between. it's really a fine movie.
thanks. alvink
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- Meeting Venus
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- Bruttoertrag in den USA und Kanada
- 1.000.348 $
- Eröffnungswochenende in den USA und in Kanada
- 65.715 $
- 17. Nov. 1991
- Weltweiter Bruttoertrag
- 1.000.348 $
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By what name was Zauber der Venus (1991) officially released in Canada in English?
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