IMDb-BEWERTUNG
5,6/10
3068
IHRE BEWERTUNG
Zwei junge Amerikaner, er ein Journalist und sie eine Fotojournalistin, erleben 1978 in Rom die Terroristen der Roten Brigaden hautnah.Zwei junge Amerikaner, er ein Journalist und sie eine Fotojournalistin, erleben 1978 in Rom die Terroristen der Roten Brigaden hautnah.Zwei junge Amerikaner, er ein Journalist und sie eine Fotojournalistin, erleben 1978 in Rom die Terroristen der Roten Brigaden hautnah.
- Auszeichnungen
- 1 Nominierung insgesamt
Darren Kelley
- Joe Bob
- (as Darren Modder)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was made and released about seven years after its source novel of the same name by Michael Mewshaw had been first published in 1984. The book was semi-autobiographical. Mewshaw is a former Newsweek correspondent.
- PatzerThe movie supposed to take place in 1978, but a poster from Aki Kaurismäki's Leningrad Cowboys Go America (1989) can be seen.
- Alternative VersionenThe US theatrical release and original home video release on VHS include English subtitles for all the Italian dialog parts in the film. Later releases, mastered from the original negative, for DVD and streaming, do not have any English subtitles for the Italian dialog scenes, making the story difficult to follow for non Italian speakers
- SoundtracksDI PROVENZA EL MAR
(from "AIDA")
Written by Giuseppe Verdi
Pro Musica Symphony Orchestra and Company
Copyright 1991 Countdown Music
Courtesy American Hero Music
Ausgewählte Rezension
A good title, but more applicable to 1981, since that was the year that saw attempts to assassinate the President of the United States and the Pope.
This film sounds of interest on paper for the prospect of seeing John Frankenheimer address the abduction and murder of Aldo Moro. It doesn't stint on the gunplay (one particularly nasty moment depicts a horse getting caught in the crossfire). But there's even more talk - some of it in Italian - while the old dynamism that brought us 'The Manchurian Candidate' is sorely lacking, and Andrew McCarthy makes a very passive hero.
In compensation Sharon Stone brings a feral power to the role of an American photojournalist who never lets a little aggro get in the way of a photo opportunity. While it concludes with one of Frankenheimer's trademark closeups of a TV screen.
This film sounds of interest on paper for the prospect of seeing John Frankenheimer address the abduction and murder of Aldo Moro. It doesn't stint on the gunplay (one particularly nasty moment depicts a horse getting caught in the crossfire). But there's even more talk - some of it in Italian - while the old dynamism that brought us 'The Manchurian Candidate' is sorely lacking, and Andrew McCarthy makes a very passive hero.
In compensation Sharon Stone brings a feral power to the role of an American photojournalist who never lets a little aggro get in the way of a photo opportunity. While it concludes with one of Frankenheimer's trademark closeups of a TV screen.
- richardchatten
- 1. Aug. 2023
- Permalink
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Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.182.273 $
- Eröffnungswochenende in den USA und in Kanada
- 606.046 $
- 3. Nov. 1991
- Weltweiter Bruttoertrag
- 1.182.273 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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By what name was Verliebt in die Gefahr (1991) officially released in Canada in English?
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