IMDb-BEWERTUNG
6,0/10
16.368
IHRE BEWERTUNG
Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.
- Auszeichnungen
- 2 Nominierungen insgesamt
Raymond J. Barry
- Rollie Wedge
- (as Raymond Barry)
- …
Greg Goossen
- J.B. Gullitt
- (as Gregory Goossen)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe story of the freakish execution that Sam tells Adam, about a condemned prisoner beating his head against a metal pole inside the gas chamber, is a true story. It happened to Mississippian Jimmy Lee Gray in 1983.
- PatzerSam Cahall states that the new law allowing him to opt for lethal injection applied only to inmates convicted after 1984. Actually it was just the opposite: Those convicted after 1984 could only have lethal injection. Before 1984 convicts could choose between lethal injection and the gas chamber.
- Zitate
E. Garner Goodman: How much do you know about the death penalty?
Adam Hall: I've read everything there is.
E. Garner Goodman: Then you know nothing.
- SoundtracksTemenos (Here Come The Shakes)
Written by Shelby Tate
Performed by Remy Zero
Courtesy of DGC Records
By Arrangement with MCA Special Markets & Products
Ausgewählte Rezension
Most reviews on this site, neglect to mention how vividly the film captures the racist politics of the American South at this time. The actions of all politicians reveals how difficult it can be to seek justice. They are always looking sideways. Also the crowd outside the execution site shows how easy it is to stir up mob emotion. Again, nicely laid out and captured on film. The film visually translated Grishelm's understanding of Southern culture and politics.
I also thought Chris O'Donnell captured the intensity of someone who is confronting his family's past. The camera work, which holds on his face, assists in helping us to see the quiet determination with which he works. (The camera is a good replacement for the interior monologue of fiction!)I also liked the flash-backs which help him to comprehend just where his father came from and why suicide might have been a response.
This film is timely today in lieu of the polarization of American politics. Scary stuff!
I also thought Chris O'Donnell captured the intensity of someone who is confronting his family's past. The camera work, which holds on his face, assists in helping us to see the quiet determination with which he works. (The camera is a good replacement for the interior monologue of fiction!)I also liked the flash-backs which help him to comprehend just where his father came from and why suicide might have been a response.
This film is timely today in lieu of the polarization of American politics. Scary stuff!
- gracescheel
- 25. März 2011
- Permalink
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Details
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.551.359 $
- Eröffnungswochenende in den USA und in Kanada
- 5.612.095 $
- 13. Okt. 1996
- Weltweiter Bruttoertrag
- 22.540.359 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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