IMDb-BEWERTUNG
5,4/10
21.788
IHRE BEWERTUNG
Als man seine Ex-Frau tötet, wird Cop Cole zum Tatverdächtigen u nd muss feststellen, dass er es mit mächtigen Drahtziehern im Hi ntergrund zu tun hat.Als man seine Ex-Frau tötet, wird Cop Cole zum Tatverdächtigen u nd muss feststellen, dass er es mit mächtigen Drahtziehern im Hi ntergrund zu tun hat.Als man seine Ex-Frau tötet, wird Cop Cole zum Tatverdächtigen u nd muss feststellen, dass er es mit mächtigen Drahtziehern im Hi ntergrund zu tun hat.
Alexa PenaVega
- Cole's Daughter
- (as Alexa Vega)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to Keenen Ivory Wayans, one time during production, after waiting for a long time for Steven Seagal to finally show up on the set (he was known for not caring for the time when filming was to start, and would always show up very late), Seagal appeared with some script and said how it was the greatest script he ever read in his entire life. When Wayans asked him who wrote it, Seagal responded by saying; "I did."
- PatzerWhen Cole is talking about the dead woman in the autopsy room he says he thinks he's "Russian, most likely Georgian." Russian and Georgian are two distinct nationalities and ethnic groups. The fact that Georgia was at one time part of the Soviet Union does not make Georgians and Russians at all related.
- Alternative VersionenIn the BBFC-approved UK video version, nine seconds are cut. In the scene where Cole confronts two Russians in the car, four seconds of Cole beating a Russian over the head nine times with his gun butt have been cut, and in the final fight scene, four seconds of Cole repeatedly punching Donald in the face after kicking him onto the table are cut.
- VerbindungenFeatured in Detonator - Spiel gegen die Zeit (2003)
- SoundtracksSnake
Written by Steven Seagal, Todd Smallwood, and Matt Andes
Performed by Taj Mahal
Courtesy of Private Music
Ausgewählte Rezension
A cop with an attitude is partnered up with a new-age cop with a shady past and amazing martial arts skills, to investigate a serial killer who crucifies his victims. Campbell sees it as a fairly straightforward case of a religious nut obeying orders from God; but Cole sees something else in some of the murders a sense of purpose and order that hints at a bigger plot. Going back to his handler at the CIA gets him nowhere but brings him to the attention of Frank Deverell and the Russian mafia. With so many people gunning for them, can Campbell and Cole stay alive long enough to get to the bottom of it? Although any film that contains both Seagal and a Wayans brother will hardly be an easy sell to me, I still decided to give this film a stab because I do like a solid action movie every now and again. Plot wise this film is about as weak as I had expected with a messy narrative that never really convinces and just seems like a couple of half-baked ideas crammed into one story with little concern with logical linkage or development. The hope seems to have been that enough action and energy would stop us seeing the holes sadly this doesn't work. The film has enough action to be worth watching but it isn't really anything special, although fans of Seagal will be used to this consistent standard.
The cast are just as average as you would expect. Seagal delivers everything with a total lack of emotion that is explained away by him being a totally calm Buddhist, as opposed to him just not being a very good actor. Physically he is pretty good here and his fight scenes do actually show a man with skill (as opposed to the out of shape man we have been shown almost waddling recently). Wayans tries to be a tough comic relief but his performances just reinforces the feeling of this being a formulaic mismatched cop movie; even if he is impressive in some of his action scenes as well. Neither of them are that good but they are certainly no worse than a lot of the reluctant buddy cops movies out there. The support cast should have been better but people like Gunton, Cox and Tobolowsky just sink into the mess rather than helping to raise it.
Overall this is a watchable "Friday night" style thriller that you will quite enjoy if all you want is watchable action surrounded by messy and clichéd plotting and delivery with "par for the course" acting. If you are after anything more than this then you'll be sorely disappointed as this is a weak film with an unimaginative plot, poor performances and only just enough action to be watchable if you're in an undemanding mood.
The cast are just as average as you would expect. Seagal delivers everything with a total lack of emotion that is explained away by him being a totally calm Buddhist, as opposed to him just not being a very good actor. Physically he is pretty good here and his fight scenes do actually show a man with skill (as opposed to the out of shape man we have been shown almost waddling recently). Wayans tries to be a tough comic relief but his performances just reinforces the feeling of this being a formulaic mismatched cop movie; even if he is impressive in some of his action scenes as well. Neither of them are that good but they are certainly no worse than a lot of the reluctant buddy cops movies out there. The support cast should have been better but people like Gunton, Cox and Tobolowsky just sink into the mess rather than helping to raise it.
Overall this is a watchable "Friday night" style thriller that you will quite enjoy if all you want is watchable action surrounded by messy and clichéd plotting and delivery with "par for the course" acting. If you are after anything more than this then you'll be sorely disappointed as this is a weak film with an unimaginative plot, poor performances and only just enough action to be watchable if you're in an undemanding mood.
- bob the moo
- 30. Jan. 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Glimmer Man
- Drehorte
- Barclay Hotel - 103 W. 4th Street, Downtown, Los Angeles, Kalifornien, USA(As the Ovington Arms)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.351.264 $
- Eröffnungswochenende in den USA und in Kanada
- 7.605.504 $
- 6. Okt. 1996
- Weltweiter Bruttoertrag
- 20.351.264 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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