Nach einer bizarren Begegnung auf einer Party wird einem Jazz-Saxophonisten der Mord an seiner Frau angehängt. Er kommt ins Gefängnis, wo er sich unerklärlicherweise in einen jungen Mechanik... Alles lesenNach einer bizarren Begegnung auf einer Party wird einem Jazz-Saxophonisten der Mord an seiner Frau angehängt. Er kommt ins Gefängnis, wo er sich unerklärlicherweise in einen jungen Mechaniker verwandelt und dann ein neues Leben anfängt.Nach einer bizarren Begegnung auf einer Party wird einem Jazz-Saxophonisten der Mord an seiner Frau angehängt. Er kommt ins Gefängnis, wo er sich unerklärlicherweise in einen jungen Mechaniker verwandelt und dann ein neues Leben anfängt.
- Auszeichnungen
- 4 Gewinne & 6 Nominierungen insgesamt
- Ed
- (as Lou Eppolito)
- Forewoman
- (Synchronisation)
- Judge
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to co-writer and director David Lynch, the first scene in the film is based on an incident that occurred in his own life. He claims his intercom buzzed early one morning and when he answered it, a voice on the other end that he didn't recognize said, "Dick Laurant is dead." However, by the time he got to the front of the house to look out the window, there was no one outside.
- PatzerWhen Pete and Sheila are having sex in the car, external shots show the car parked alongside a wall in a dark, tree-covered section of street. Yet in interior shots, the wall is many metres away in the far background and is brightly illuminated.
- Zitate
Ed: Do you own a video camera?
Renee Madison: No. Fred hates them.
Fred Madison: I like to remember things my own way.
Ed: What do you mean by that?
Fred Madison: How I remembered them. Not necessarily the way they happened.
- Crazy CreditsA Real Trooper-Guadalupe Hurst
- Alternative VersionenAn unconfirmed report claims that a Director's Cut of the film exists which has a number of scenes deleted from the original 134 minute print. Some of the missing scenes include:
- A breakfast scene with Fred and Renee where Fred asks her where she was when he phoned her from the jazz club the night before, and when she says that she never left the house all evening, his suspicions of her cheating on him intensifies.
- Another scene of a third videotape arriving at Fred and Renee's house where they watch it and catch a glimpse of a cold-faced Fred on one frame. They phone the detectives Al and Lou again who pay them another visit.
- A scene set in the morgue where the attendant, George, prepares an autopsy on Renee's mutilated body where he is joined by a tuxedo-clad medical examiner and the examiner's girlfriend, Joyce, which is immediately followed by a courtroom scene where Fred literally faints after hearing the jury forewoman read the guilty verdict and the judge's sentence of death, which is only heard in the original version.
- A scene in a lingerie shop where two young women, Marian and Raquel, glimpsed only in the porno film at the end, talk about the Renee Madison murder and about the method of execution the state would use when they are interrupted by Andy who gestures for them to hurry up with their selections.
- Another scene follows where Andy, Marian and Raquel are involved in a drugged-out threesome orgy at his house.
- A prison scene where one inmate is shown being led out of his cell to the gas chamber with other prisoners taunting him and the guards preparing for the execution as if it was a formal gathering, plus another scene of Fred talking to the prison guards in the courtyard the next day.
- A full scene of dialogue between the prison warden and Pete Dayton's parents, Candace and Bill, where they are told of their son's whereabouts and his physical condition where he has a hematoma on his forehead and blepharitis, redness around the eyes. Bill and Candace are elusive to the warden's questions about Pete's whereabouts for the last few days. Pete is then brought into the office where he doesn't respond to questions asked, and Bill and Candace are told that they can take him home. After they leave, the warden then makes a statement to reporters outside his office about the disappearance of Fred Madison from the prison.
- Extended scenes of dialogue between Pete and his friends Steve V, Teddy, Carl and Lanie on their arrival at his house where Lanie shows them a scar on her abdomen from an operation she just had. Plus more dialogue as the four of them ride in Steve V's car, where they first arrive at a drive-in restaurant called Johnny's where they pick up Sheila and her two girlfriends and then drive to the bowling alley.
- An extra scene of Pete riding up Van Nuys Boulevard at night on his motorcycle after Alice had phoned him to cancel their evening get-together. Pete arrives at Johnny's Drive-In where he meets with Steve V, Carl and Sheila where Pete responds awkward towards them as he is having a mysterious headache. Pete then savagely beats up two guys who try to pick up Sheila, much to her shock.
- The telephone scene between Pete, Mr. Eddy and the Mystery Man is slightly extended with more dialogue with the Mystery Man telling Pete about him just killing some people and telling him more details about executions in the 'Far East' set to imply China during the Cultural Revolution.
- A brief scene of Fred Madison checking into the Lost Highway Motel and walking towards Room 25 which he knows is right next to Room 26 where Renee and Mr. Eddy are.
- SoundtracksI'm Deranged
Written by David Bowie and Brian Eno
Courtesy of Tintoretto Music (BMI) and Upala Music (BMI)
Performed by David Bowie
Courtesy of Jones Music and Virgin Records America, Inc.
As for the filmmaking itself, the pacing is fantastic throughout, the cinematography outstanding and the cast of character actors like Bill Pullman, Robert Loggia and Patricia Arquette simply a joy to watch (especially Loggia gets to shine in a wonderfully over-the-top part). Another aspect that should not go unmentioned is the music. The orginal score by Angeolo Badalamenti (who is to Lynch what John Williams is to Spielberg) is hauntgingly beautiful, but equally important is the amazing soundtrack - featuring greats like David Bowie, Lou Reed, Rammstein, Marilyn Manson, Trent Reznor and more - which fits and enhances the images on screen perfectly.
As far as I'm concerned, this is Lynch at his best. 'Lost Highway' is a dark, violent, surreal, beautiful, hallucinatory masterpiece: 10 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
- gogoschka-1
- 3. Juni 2018
- Permalink
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Por el lado oscuro del camino
- Drehorte
- 7035 Senalda Road, Los Angeles, Kalifornien, USA(Fred Madison's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.726.792 $
- Eröffnungswochenende in den USA und in Kanada
- 212.710 $
- 23. Feb. 1997
- Weltweiter Bruttoertrag
- 3.837.362 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1