Ein FBI Undercover-Agent infiltriert den Mob und identifiziert sich mehr mit dem Mafia-Leben, auf Kosten seines regulären.Ein FBI Undercover-Agent infiltriert den Mob und identifiziert sich mehr mit dem Mafia-Leben, auf Kosten seines regulären.Ein FBI Undercover-Agent infiltriert den Mob und identifiziert sich mehr mit dem Mafia-Leben, auf Kosten seines regulären.
- Für 1 Oscar nominiert
- 2 Gewinne & 16 Nominierungen insgesamt
Zeljko Ivanek
- Tim Curley
- (as Željko Ivanek)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAl Pacino loved being able to use all of the rich Mafia slang throughout the film. Writer Paul Attanasio captured mob dialect so accurately because he had Joseph D. Pistone's wiretaps.
- PatzerSonny Black introduces Donnie to Santo Trafficante as "a friend of ours", it should be "a friend of mine", because Donnie wasn't a made man, only a connected guy as Lefty states earlier in the film. However, in the source material, Joe Pistone noted that Sonny Black did eventually start introducing him, as Donnie Brasco, as "a friend of ours" even though he was not a made man.
- Zitate
Lefty: [standing next to Donnie's car at night] There's the boss. And, under him, there's the skipper. You know how this works?
Donnie Brasco: Yeah, it's like in the army.
Lefty: Bullshit. The army is some guy you don't know telling you to go whack some other guy you don't know.
- Alternative VersionenIn 2007, Sony released an DVD "Extended Cut" featuring an extra 20 minutes footage (taking the running time up to 147 minutes).
- SoundtracksA Stranger on Earth
Written by Sid Feller and Rick Ward
Performed by Dinah Washington
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Music Special Markets
Ausgewählte Rezension
In the late 1970's, FBI agent Joe Pistone poses as jewel expert Donnie Brasco to win the trust of ageing mob middleman Lefty Ruggiero. As time passes Donnie gets tighter and tighter into the mob, rising up when boss Sonny Black gets bumped up. While Donnie puts his life at risk, his real life crumbles as he never sees his wife or children. As he moves upwards, his friend Lefty is bypassed time and time again. As Donnie gets deeper, the FBI start to worry and want to extract him - something that cannot be done without exposing himself and condemning Lefty to death.
Now that Pirates of the Caribean has made him a bankable star as well as a good actor I decided to dig out some of my old Depp videos and watch them. I have been a Depp fan since the mid-90's when I saw Arizona Dream, Ed Wood and Don Juan all in a period of 6 months -I realised then that this was not only a very talented guy but also one who seemed happy to do whatever interested him rather than whatever was going to make money. This film is in a well known and fairly reliable genre - the Italian American gangster movie but has the strength that it is an engaging true story. The plot follows Joe as he gets in deeper, is suspected, gets involved in battles between bosses and eventually starts to lose himself and forget what side he is actually on. Even though this is a true story, it still basically goes where we expect mob films to go, but it manages to rise above the clichés by having some very good characters and emotional themes.
The whole gangster thing works and is gripping, but it is the relationship dynamics between Joe and Lefty that made it more interesting. The element of going `native' when undercover has been done plenty of times, but it is the combination of this being fact and Depp's great performance that makes it work well here; we feel for Joe a great deal. On the flipside the film also allows us to feel for the mob, or at least one of them. The majority of the mobsters are the usual stereotypes but Lefty is written with a great deal of sympathy - he is a middleman, taking the risks, doing the dirt but always passed over and having to beg money to keep his bosses happy. These are tragic characters and the film is not the slightly glamorous gangster lifestyle that Pacino has experienced in his Godfather roles. These two characters are well written and it is their subplots that makes the film better than the central plot (which itself is also very good).
Depp is good and his performance is solid even if it doesn't really rank up their with his best - he lacks his usual flair but he gives the material it's dues. Pacino is of course, wonderful. His character is a far cry from his Godfather work and he manages to bring such pathos to Lefty that it is impossible not to feel for him. The support cast may not have as much in the way of character but they all do well in their roles. Madsen, Kirby, Ivanek, Heche, Miano and others all give good support, but it is Pacino and Depp's film - which is a good thing.
Overall, the fact that this is a true story makes it more interesting but, while I was watching it I wasn't really thinking about it and was just enjoying the gangster film itself. The basic story is a well worn one but is still delivery well by Newell (who was a very unusual choice for director), but it is the emotion threads involving Joe and Lefty that make the film much more than just another gangster film.
Now that Pirates of the Caribean has made him a bankable star as well as a good actor I decided to dig out some of my old Depp videos and watch them. I have been a Depp fan since the mid-90's when I saw Arizona Dream, Ed Wood and Don Juan all in a period of 6 months -I realised then that this was not only a very talented guy but also one who seemed happy to do whatever interested him rather than whatever was going to make money. This film is in a well known and fairly reliable genre - the Italian American gangster movie but has the strength that it is an engaging true story. The plot follows Joe as he gets in deeper, is suspected, gets involved in battles between bosses and eventually starts to lose himself and forget what side he is actually on. Even though this is a true story, it still basically goes where we expect mob films to go, but it manages to rise above the clichés by having some very good characters and emotional themes.
The whole gangster thing works and is gripping, but it is the relationship dynamics between Joe and Lefty that made it more interesting. The element of going `native' when undercover has been done plenty of times, but it is the combination of this being fact and Depp's great performance that makes it work well here; we feel for Joe a great deal. On the flipside the film also allows us to feel for the mob, or at least one of them. The majority of the mobsters are the usual stereotypes but Lefty is written with a great deal of sympathy - he is a middleman, taking the risks, doing the dirt but always passed over and having to beg money to keep his bosses happy. These are tragic characters and the film is not the slightly glamorous gangster lifestyle that Pacino has experienced in his Godfather roles. These two characters are well written and it is their subplots that makes the film better than the central plot (which itself is also very good).
Depp is good and his performance is solid even if it doesn't really rank up their with his best - he lacks his usual flair but he gives the material it's dues. Pacino is of course, wonderful. His character is a far cry from his Godfather work and he manages to bring such pathos to Lefty that it is impossible not to feel for him. The support cast may not have as much in the way of character but they all do well in their roles. Madsen, Kirby, Ivanek, Heche, Miano and others all give good support, but it is Pacino and Depp's film - which is a good thing.
Overall, the fact that this is a true story makes it more interesting but, while I was watching it I wasn't really thinking about it and was just enjoying the gangster film itself. The basic story is a well worn one but is still delivery well by Newell (who was a very unusual choice for director), but it is the emotion threads involving Joe and Lefty that make the film much more than just another gangster film.
- bob the moo
- 1. Mai 2004
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Brasco
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 41.909.762 $
- Eröffnungswochenende in den USA und in Kanada
- 11.660.216 $
- 2. März 1997
- Weltweiter Bruttoertrag
- 124.909.762 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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