Ein inhaftierter I.R.A.-Kämpfer wird befreit, um einen brutalen, scheinbar "gesichtslosen" Attentäter davon abzuhalten, seinen nächsten Job zu erledigen.Ein inhaftierter I.R.A.-Kämpfer wird befreit, um einen brutalen, scheinbar "gesichtslosen" Attentäter davon abzuhalten, seinen nächsten Job zu erledigen.Ein inhaftierter I.R.A.-Kämpfer wird befreit, um einen brutalen, scheinbar "gesichtslosen" Attentäter davon abzuhalten, seinen nächsten Job zu erledigen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- Patzer(at around 1h 8 mins) When the FBI agents are at the marina waiting on the end of the boat race, Koslova lights her cigarette. In the next shot, she is holding it between her fingers and it is lit. When we next see her, she is lighting her cigarette again.
- Zitate
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- Alternative VersionenDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- VerbindungenEdited into The Jackal: Deleted Scenes (1998)
- SoundtracksStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
Ausgewählte Rezension
You can't really approach this as a remake of the classic 'The Day of The Jackal.' Though broadly similar, the entire feel of the two films is incomparable. And suspense thrillers are all about "the feel" aren't they?
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El chacal
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.930.280 $
- Eröffnungswochenende in den USA und in Kanada
- 15.164.595 $
- 16. Nov. 1997
- Weltweiter Bruttoertrag
- 159.330.280 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen