"Iz" is the 1995 debut feature film of Yesim Ustaoglu, a director I adore. Although the screenplay doesn't belong to Ustaoglu, it still bears traces of her cinematic vision. The story follows a police officer about to retire who investigates a case that appears to be a suicide. This simple plot thickens with complex characters and subtle dialogues.
One of the most striking aspects of the film is the masterful acting. Aytac Arman gives an impressive performance as Kemal, the lead police officer. Serra Yilmaz leaves a lasting impression with her character Nevra. The other actors in the film also do justice to their roles and contribute to the film's realism.
"Iz" offers early examples of Yesim Ustaoglu's cinematic style. The director uses long takes and a minimalist aesthetic to draw the viewer into the characters' inner worlds. The locations where the story takes place are also carefully chosen and play an important role in creating the atmosphere.
The film's screenplay is written by Tayfun Pirselimoglu. Pirselimoglu keeps the audience engaged until the very end by creating complex characters and a mysterious atmosphere. Although some aspects of the story are not fully explained, this adds to the film's mystery.
"Iz" is a must-see for fans of Yesim Ustaoglu. It's an ideal film to see the first traces of Ustaoglu's cinematic vision, although it's a shame that the film hasn't been restored. Considering my admiration for Yesim Ustaoglu and the film's intellectual level, I find it appropriate to give "Iz" 4/5 stars.
Pros of the Film:
Masterful acting
Early examples of Yesim Ustaoglu's cinematic style
Realistic and mysterious atmosphere
High intellectual level
Cons of the Film:
Not being restored
Some aspects of the story are not fully explained
My Admiration for Yesim Ustaoglu:
I admire Yesim Ustaoglu's cinema. Her films are full of strong female characters, realistic stories, and impressive visuals. Ustaoglu's cinema also does not ignore the social and political realities of Turkey. "Iz" is a film that offers the first traces of Ustaoglu's cinema and therefore holds a special place for me.
