Ein College-Professor ist besessen von der Vorstellung, dass seine Frau eine Affäre mit seinem kranken Vater hat.Ein College-Professor ist besessen von der Vorstellung, dass seine Frau eine Affäre mit seinem kranken Vater hat.Ein College-Professor ist besessen von der Vorstellung, dass seine Frau eine Affäre mit seinem kranken Vater hat.
Frank Finlay
- Nino Rolfe
- (Archivfilmmaterial)
- (Nicht genannt)
Stefania Sandrelli
- Teresa Rolfe
- (Archivfilmmaterial)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the scene in the movie theatre, the film being shown is another Tinto Brass film, The Key: Der Schlüssel (1983). He did this same thing in Snack Bar Budapest (1988).
- Zitate
The Porking Attendant: Huh, you want some advice? Don't go trying to find out what's going on with your wife. You can live with lies,
[shakes his head]
The Porking Attendant: but the truth will kill ya.
- Alternative VersionenThere are 2 UK DVD releases of the film. The first is from Nouveaux Pictures. That is a shorter print, known as the 'Producer's Cut'. This was cut by 8 seconds by the BBFC for an 18 certificate. The later release from Argent Films is the longer 'Director's Cut'. 35 seconds have been edited through cutting and reframing a sequence which explicitly shows vaginal penetration with a cigar. This was to achieve an 18 certificate. An R18 certificate was available without the edits, but it would have restricted sales of the DVD to licensed. sex shops.
- VerbindungenFeatures The Key: Der Schlüssel (1983)
Ausgewählte Rezension
The story of erotic films in the 1990s is largely a very sad one. American main stream cinema seems to avoid the subject altogether, B movies are obsessed with coupling sex with violence and death, and the typical porno is as exciting as drying paint. But there are a few exceptions, most notably the films of Tinto Brass, and this film here is a prime example.
What is so unique about Brass' films of this decade (and to a slightly lesser degree his 1980s films as well) is how they manage to combine eroticism with an explicitness that is close to hardcore porn, and that without ever looking seedy or overly stylish. Greatly supporting this effect are the music of Riz Ortolani and the excellent cinematography by Massimo Di Venanzo. With L'Uomo che guarda Brass seems to be telling the porno makers: "this is how a sex film can and should look like".
The UK certificated version of this is about 8 minutes shorter than the original, but even that version would have no chance of an R rating in the USA. The quality of the English dubbing is a bit better than usual, but still we have to endure the traditional incomprehensible fake American accent for the leading male as in so many Italian films.
What is so unique about Brass' films of this decade (and to a slightly lesser degree his 1980s films as well) is how they manage to combine eroticism with an explicitness that is close to hardcore porn, and that without ever looking seedy or overly stylish. Greatly supporting this effect are the music of Riz Ortolani and the excellent cinematography by Massimo Di Venanzo. With L'Uomo che guarda Brass seems to be telling the porno makers: "this is how a sex film can and should look like".
The UK certificated version of this is about 8 minutes shorter than the original, but even that version would have no chance of an R rating in the USA. The quality of the English dubbing is a bit better than usual, but still we have to endure the traditional incomprehensible fake American accent for the leading male as in so many Italian films.
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Details
Box Office
- Budget
- 2.700.000 $ (geschätzt)
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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