Eine Nonne tröstet einen verurteilten Mörder in der Todeszelle, fühlt sich aber gleichzeitig in die Familien des Mörders und seines Opfers ein.Eine Nonne tröstet einen verurteilten Mörder in der Todeszelle, fühlt sich aber gleichzeitig in die Familien des Mörders und seines Opfers ein.Eine Nonne tröstet einen verurteilten Mörder in der Todeszelle, fühlt sich aber gleichzeitig in die Familien des Mörders und seines Opfers ein.
- 1 Oscar gewonnen
- 23 Gewinne & 25 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesHelen Prejean: The real Sister Helen appears outside the prison during a candlelight vigil scene.
- PatzerThe chemicals used in lethal injections in Louisiana are administered manually, not by a machine as in the movie.
- Zitate
Prison Guard: Tell me something, Sister. What is a nun doing in a place like this? Shouldn't you be teaching children? Do you know what this man has done? How he killed them kids?
Sister Helen Prejean: What he was involved with was evil. I don't condone it. I just don't see the sense of killing people to say killing people's wrong.
Prison Guard: You know how the Bible says "an eye for an eye."
Sister Helen Prejean: You know what else the Bible asks for? Death as a punishment for adultery, prostitution, homosexuality, trespass upon sacred ground, profaning the Sabbath, and contempt of parents.
Prison Guard: I ain't gonna get into no Bible quoting with no nun, 'cause I'm gonna lose.
- Crazy CreditsIn the heart-shaped symbol at the end of the credits, the initials EMLA, JHR, MGR, and SS stand for Tim Robbins' family with Susan Sarandon (SS) -- Jack Henry Robbins and Miles Guthrie Robbins (their two sons together) and Eva Maria Livia Amurri (Sarandon's daughter with Franco Amurri).
- SoundtracksThe Face of Love
Performed by Nusrat Fateh Ali Khan with Eddie Vedder
Written by David Robbins, Tim Robbins & Nusrat Fateh Ali Khan
Nusrat Fateh Ali Khan courtesy of Real World Records, Ltd.
Eddie Vedder courtesy of Epic Records
This couldn't have been an easy film to make yet he manages to pull it off. Poncelet is a ruthless murderer and in no way does Robbins condone what he has done but he and actor Sean Penn manage to win Poncelet the viewer's sympathy. The execution is terrific. The last scene particularly stands out. We see, in flashback, what had happened while Poncelet meets his ultimate fate. We see how he and Helen make the final connection, we see remorse in his eyes, we see him dying a slow death and at the same time the horror of the crime is exposed to us. We know that what he did is unforgivable but he finally took responsibility for that which allows us to see him as a human being rather than a ruthless killer. This also makes the whole tragedy more astonishing because you just ponder, like Sister Helen, on how such a normal human being commit such a heinous deed?
Both Sean Penn and Susan Sarandon deliver powerful performances. We pretty much see most of the film from Helen's point of view. Sarandon clearly has put a lot of heart into the role as she skillfully downplays her part showing tremendous depth and pathos. Sean Penn plays his difficult complex character with ease. The supporting cast do well (watch out for a young Jack Black and Peter Sarsgaard).
The score is mesmerizing, especially the Nusrat Fateh Ali Khan tracks. I also felt that sense of isolation that was brought out in the prison scenes. The terrific writing grips the viewer's attention right from the start. Even though we can predict Poncelet's fate, we are drawn into the fascinating transforming journey of these two intriguing characters.
- Chrysanthepop
- 11. Nov. 2008
- Permalink
Top-Auswahl
Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 39.363.635 $
- Eröffnungswochenende in den USA und in Kanada
- 118.266 $
- 1. Jan. 1996
- Weltweiter Bruttoertrag
- 39.363.635 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1